Haven’t read Agatha Christie? The Oyster Review will get you up to speed. Their latest Reader’s Guide, written by Lili Loofbourow, delves into the writer behind Miss Marple, Hercule Poirot and countless other iconic characters. You could also read Daniel Friedman on the ending to every mystery novel.
“I try to edit my work in different states of mind. So I’ll go running on a really hot day and then read the 2,000 words I just wrote. Or if I’m upset, or really sleepy, or if I’m drunk, I’ll read this stuff. If you’re sleepy and you find yourself skipping over a paragraph because you’re bored by it and just want to get to the interesting part, it comes out. Those different states of mind are a really interesting filter.” Writing advice from Sebastian Junger.
Vladimir Nabokov’s Lolita is one of those rare few classic novels that translates well to the big screen. To some extent, this was intentional — Nabokov often wrote fiction with an eye to selling film rights. John Colapinto writes about the author’s relationship with the cinema over at Page-Turner. You could also read our own Lydia Kiesling’s Modern Library Revue of Lolita.
New this week are Anita Desai’s The Artist of Disappearance and P.D. James’ Pride and Prejudice sequel Death Comes to Pemberly. Joseph Gordon-Levitt hangs up his acting duds to put out The Tiny Book of Tiny Stories: Volume 1, and, speaking of tiny stories, there’s Lou Beach’s 420 Characters: “these crystalline miniature stories began as Facebook status updates.” On the nonfiction side, there’s Extra Virginity: The Sublime and Scandalous World of Olive Oil by Tom Mueller.
Did your MFA program offer impractical courses like “Problems in Modern Fiction”? At the Ploughshares blog, Rebecca Makkai offers some suggestions for more useful classes, such as “Introduction to Despair,” “Pretending You’re Talking to Terry Gross When You’re Alone in the Car,” and “The Art of the Flirty Author Photo Grimace.” Pair with: Our interview with Makkai.