Out this week: The Wall by H.G. Adler; How to Be Both by Ali Smith; Screenplay by MacDonald Harris; Woman with a Gun by Phillip Margolin; Essays after Eighty by Donald Hall; Selected Letters by Norman Mailer; and Skylight by the late Nobel laureate José Saramago. For more on these and other recent titles, check out our Great Second-half 2014 Book Preview.
New this week is Julian Barnes’ new collection of stories, Pulse. We also have new novels from Geraldine Brooks (Caleb’s Crossing) and Jean Thompson (The Day We Left Home). There’s also a new collection available from Nobel laureate J.M.G. Le Clezio (Mondo and Other Stories). And new in paperback: Millions Hall of Famer Super Sad True Love Story by Gary Shteyngart and The Pregnant Widow by Martin Amis.
“Joy and wonder. That’s at the heart of what I love about the natural world. If you’re receptive to it, it does something to human minds that nothing else can do.” Electric Literature talks with Helen MacDonald about living with, and like, a goshawk. Pair with Madeleine Larue‘s Millions review of MacDonald’s H is for Hawk.
When Hanna Rosin published The End of Men this year, the book stirred up a lot of controversy (and a number of parodies, to boot). Now Stephanie Coontz, a historian, takes issue with Rosin’s premise — the “myth of male decline” — in the pages of The New York Times Book Review.
“The specter of the confessional haunts all first-person writing, and women’s writing in particular,” but perhaps “the instinct to insert [the self] comes from a place of saying, ‘I’m not an expert, I’m just a person; let me show you where I’m situated here in this thing I’m telling you about.'” Our own Lydia Kiesling writes about Meghan Daum, Lena Dunham, Leslie Jamison and the confessional impulse in nonfiction for Salon.