“There is always something lost, or exchanged, when the imagined world evoked by the written word, unique for every reader, is replaced by a provided set of visual references. In this particular case, the artist is faced with translating the unbelievable, even the metaphysical, into visual imagery, and within a relatively constrained form.” Jenna Brager on Hope Larson’s graphic novel adaptation of A Wrinkle in Time.
The National Book Critics Circle Awards were announced last night, and the winners might be familiar to Millions readers: last year, our own Matt Seidel reviewed fiction prize winner The Sellout, and the Football Book Club read Maggie Nelson’s winner in the criticism field, The Argonauts. Head on over to The Guardian for more details.
“I saw it as a breath of fresh dark honest night air. I could live in my grief and be weird in my grief.” A.N. Devers writes about her love of Twin Peaks for Longreads, situating the show within her contemporary experiences of losing her grandparents and her girlhood.
Literary Hub has an excerpt of an essay by Chris Jackson, Editor in Chief of Random House’s One World imprint on how we can actually achieve diversity in the publishing industry. “What’s the payoff of having a more diverse workforce? Well, there’s obviously the moral case to be made—and that’s a case that I think applies to any industry. But in book publishing, I think we have a special obligation, given our central role in shaping the culture.” And he shares the origin story of how he started to work with Ta-Nehisi Coates.