“There was an inefficient system in place, and what I did was subvert it by an external rotation of reluctant holly jollies. Nasally, I came to understand that light is a thing that is produced through the collision of particulates, and boy isn’t that the truth.” As part of their year-end review, McSweeney’s republished their ten most popular pieces of 2014, including the above. Its title? “Donald Barthelme Narrates the Progress of the Reindeer.”
Late November brings work of another favorite Madrileño to the forefront. The final book of Javier Marías‘s Your Face Tomorrow trilogy, Poison, Shadow, and Farewell, will be published at the end of the month by New Directions. The incomparable Marias will make two New York appearances, a reading at the 92nd St Y (with Paul Auster) and a conversation with Paul Holdengräber at the New York Public Library.
“Motherhood remains more of a choice for some than others, and yet our varying degrees of agency are rarely acknowledged by the mainstream narrative upheld by the vast majority of what has (disparagingly) been referred to as ‘mommy lit’.” An essay in Buzzfeed about pregnancy, queerness, and three upcoming memoirs about motherhood (and non-motherhood). Pair with: an essay about motherhood as muse.
“Of course the evening ends with Abbi and Ilana in the bath, together, passing their ‘weed’ from one mouth to another. But I am chilled, less comforted somehow. How are these people anything less than confused, every hour of every day? How on earth, how in all of Eros, do women know which vote to cast, which life to elect as their own?” The Diary of Anaïs Nin While Watching Broad City courtesy of Laura Eppinger at The Rumpus.