“Here is the last and biggest piece of advice I have: If you have a story that you want to tell, but you’re afraid that someone in your life is going to feel wounded, whether that feeling is justified or not, fair or not, tell it anyway.” Emma Straub, who recently wrote about her Year in Reading, gives some advice on fictionalizing real people in an essay for Rookie.
Real People
Listen Up!
Don DeLillo spoke in Chicago last week, after receiving the Carl Sandburg Literary Award. Adam Daniels, our intrepid #LitBeat correspondent, reports.
Greatest Geek Books
These are the nine greatest geek books of all time, according to Wired readers.
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Essential Differences
“To the list of differences between men and women, we can add one more: the drug-dose gender gap. Doctors and researchers increasingly understand that there can be striking variations in the way men and women respond to drugs, many of which are tested almost exclusively on males.” On the strikingly persistent gender gap in pain.
A Voice for the Voiceless
“Their reporting led to Mr. Weinstein’s firing and set off a national conversation about the prevalence of sexual assault and harassment.” New York Times reporters Jodi Kantor and Megan Twohey will publish a book with Penguin Press about the recent sexual abuse and harassment allegations that have rocked the country. From our archives: Hannah Gersen‘s essay about seeing and hearing women in film.
Maya Angelou Has Died
Maya Angelou, poet and author of many memoirs — most famously I Know Why the Caged Bird Sings — has died at 86. This video of Angelou reading her poem “And Still I Rise” may serve as a good start to a celebration of her life.
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The Common in the City Party
Tonight! Celebrate 3 years with The Common. You can still buy tickets to this elegant lit party here. André Aciman reads from his latest novel Harvard Square.
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MIT’s Open Documentary Lab
Andrew Phelps interviews Sarah Wolzin, director of MIT’s new Open Documentary Lab, which “brings technologists, storytellers, and scholars together to advance the new arts of documentary.” The Lab, according to Phelps, is “part think tank, part incubator for filmmakers and hackers.”
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