It’s easy to find essays targeted at writers that argue that rejection isn’t really that bad. In her new book, How to Not Write, Lisa Carver takes the argument a step further, as she says that not only does rejection not hurt you, it “frees you” and “facilitates action.” At The Rumpus, an excerpt from the book.
Not for Us
Tuesday New Release Day: Pamuk; Murray; Houellebecq; Smiley; Cantor; Shonkwiler; Vowell
Out this week: A Strangeness in My Mind by Orhan Pamuk; The Mark and the Void by Paul Murray (whom our own Mark O’Connell interviewed today); Submission by Michel Houellebecq; Golden Age by Jane Smiley; The Hours Count by Jillian Cantor; Moon Up, Past Full by Eric Shonkwiler; and Lafayette in the Somewhat United States by Sarah Vowell. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
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Chemikal Underground Rocks the Audiobook
Chemikal Underground, the Glasgow label that first launched Mogwai and Arab Strap, steps into the literary realm with its first audio collection of stories, The Year of Open Doors. You can listen to an excerpt–Arab Strap’s own Aidan Moffat reads his story “The Donaldson Boy.”
A Transformative Translation
Zachary Lazar talks to Mary Jo Bang about her radical translation of Dante’s Inferno: in an attempt to render the shock Dante caused by writing in conversational Italian rather than the conventional Latin, Bang translated Dante’s text in modern-day English adorned with references to American pop culture. A sample of the text is available online.
$pending the $tephen King Money
What do you do when Stephen King uses the same title on one of his books as you used on yours (which came out earlier)? You reap the rewards of mistaken Amazon purchases, and you document the spoils of those royalty checks.
Shirley Jackson: Great American Novelist?
Laura Miller at Salon explains why she would choose the novels and stories of Shirley Jackson to be stuck with in an isolated cabin over those of Roth, Cheever or Carver.
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Disturbing the Book Reviews
Over at The New York Times, our own Garth Risk Hallberg reviews A. M. Homes’ May We Be Forgiven. And in October, so did we.
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The Etiquette of Books
“Books: As with food and clothing, they’re a commodity that elicits status anxiety for many people, particularly the insecure. And wherever there is status anxiety, there are potential minefields. We need to tread with the lightness of meringue.” Henry Alford explains the etiquette of books for The New York Times.
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