I’ve written before about The Believer‘s “How Writers Read” series, and now the second installment, which includes questions about guilty reading and the constant debate between short and long books, is online.
After visiting more than 2,000 of America’s independent bookstores, Kate Brittain found herself thinking their demise might not be so inevitable. The cards, she writes, remain stacked against them, but they nonetheless offer a few things that may well keep them in demand. Pair with: our tribute to e-book pioneer Michael Hartt.
2,000 recently digitized copies of Ernest Hemingway’s papers will be transferred from Cuba to Boston’s John F. Kennedy Library – this will be the first time copies of the papers will be available to U.S. researchers. As of right now, I don’t believe there are any plans to return the urinal Hemingway took from a Key West bar to its proper location in Sloppy Joe’s.
This year, the good folks at Slate and the Whiting Foundation kicked off a new literary prize, intended to reward authors for great second novels. To wrap up the year, they’ve asked several winners of the prize, including Akhil Sharma, Helen DeWitt and Daniel Alarcon, to write short pieces about objects that symbolize the writing process for their books. (Akhil Sharma chooses a stopwatch, while Eileen Myles chooses a can of Cafe Bustelo.)
It seems almost silly to mention it since the book’s been on shelves and discussed in the book pages for a couple of weeks now, but the “official” release date of David Foster Wallace’s The Pale King is this Friday. (Our review was published today.) Meghan O’Rourke’s grief memoir The Long Goodbye is out this week. And another look at our culture through the lens of our technology is now out, Steven Levy’s In The Plex: How Google Thinks, Works, and Shapes Our Lives.
“Post-apocalyptic books are thriving for a simple reason: The world feels more precariously perched on the lip of the abyss than ever, and facing those fears through fiction helps us deal with it.” A look at the future of post-apocalyptic fiction from NPR, with a mention of our own Emily St. John Mandel‘s Station Eleven.
In the early days of sportswriting, journalists weren’t necessarily focused on soccer, football or even baseball. In the forties, boxing and horse racing were still important beats, and they gave W.C. Heinz the opportunity to build his legacy. In the Times, a review of The Top of His Game, a new collection of the reporter’s sportswriting. You could also read Sebastian Stockman on the problem with sportswriting as a genre.