“We all read from different places, different backgrounds, and my meeting with Proust or Woolf, or Lydia Davis or J. M. Coetzee, will not be yours, nor should it be. On the other hand I do believe reading is an active skill, an art even, certainly not a question of passive absorption. … [so] there must be techniques and tools that everyone can use or try, even if we use them differently.” Tim Parks explains how he reads for The New York Review of Books.
“How I Read”
Gently Simmer
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Long Form Back in Vogue
Is long form nonfiction returning to prominence and popularity? Folks at The LA Times‘ blog think so. Anna Clark has posted a list of recommended reading for aspiring nonfiction writers, too.
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“Nature” Is What We See–
“[Emily] Dickinson is often portrayed as some white gossamer recluse, completely divorced from the world outside her bedroom—but that is not really true. The physical circumference of her adult life was small, but its psychological terrain was boundless.” This piece explores the ways in which Emily Dickinson’s work was shaped by her skills as a gardener and naturalist.
Sad Face
A new service called linkmoji will translate the letters in URLs into — you guessed it — emojis. What are the chances novels aren’t that far behind? At Salon, Erin Coulehan explores the possibilities of the emoji novel.
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Writer Casting Call
Filmmaker and author Morgan Spurlock posted a casting call for writers who have failed to write the next Great American Novel. Spurlock will choose a few lucky failures from the New York area to feature in an upcoming documentary series.
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Muldoon’s Commencement Address
Paul Muldoon raised this season’s commencement bar with his address to Bennington College’s Writing Seminar graduates. At The Russian Samovar a few months ago, before reading from Maggot, he explained the phrase “cock a snook.”
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