“We all read from different places, different backgrounds, and my meeting with Proust or Woolf, or Lydia Davis or J. M. Coetzee, will not be yours, nor should it be. On the other hand I do believe reading is an active skill, an art even, certainly not a question of passive absorption. … [so] there must be techniques and tools that everyone can use or try, even if we use them differently.” Tim Parks explains how he reads for The New York Review of Books.
Kudos to Claire Vaye Watkins for taking home the Dylan Thomas Prize! Worth £30,000, the prize went to Watkins because, in the words of of the chair of the judging panel, she possesses “some of Dylan Thomas’s extraordinary skill in the short story form.” (Read more about Watkins’s work in Geoff Mak’s review of her 2012 book Battleborn.)
Does being a writer make you a bad father? Matthew Norman ponders his fear at Salon. “As a fiction writer, I’m perpetually in some state of preoccupation. At any given moment, I’m suffering over people who don’t exist—who will never exist.” Maybe he should try Polly Rosenwaike’s tactic and read fiction about the opposite parent.
Half of all restaurants that open close,” WORD owner Christine Onorati says. On the other hand, Red Lemonade publisher Richard Nash hopes former Borders employees can find ways to continue “operating as the matchmakers of the book ecosystem.”
“The half-stripped trees / struck by a wind together, / bending all, / snapping before the power of… / thundersnow? / Oh shit, do you see that? / Thundersnow!” It’s safe to say that William Carlos Williams would have been blown away by thundersnow. Here are a few other classic poems helpfully reimagined for the climate change age.
“I wish all this telling women alcohol is dangerous was a manifestation of a country that loves babies so much it’s all over lead contamination from New Orleans to Baltimore to Flint and the lousy nitrate-contaminated water of Iowa and carcinogenic pesticides and the links between sugary junk food and juvenile diabetes and the need for universal access to healthcare and daycare and good and adequate food. You know it’s not. It’s just about hating on women. Hating on women requires narratives that make men vanish and make women magicians producing babies out of thin air and dissolute habits.” Rebecca Solnit on the passive voice, mysterious pregnancies, disappearing men, and the Center for Disease Control. Pair with this Millions review of Solnit’s book The Faraway Nearby.