Most writers, unless they’re lucky enough to have an ideal place in which to work, make do with the best space available. For Colum McCann’s father, the shed in his backyard, which “always smelled damp inside, as if the rain rose up out of the carpet,” sufficed for the fiction he wrote after coming home from work. At Page-Turner, the National Book Award winner and Year in Reading alum remembers his father’s retreat.
Garrets Etc.
From Augere to Author
"I've always loved that 'author' derives from the Latin augere, to increase." At The Guardian, Eleanor Catton discusses her inspiration for The Luminaries, which involved two years of research. Here's our review of the finished product.
New Release Day Continued
A couple more big name books out in paperback this week: David Mitchell's The Thousand Autumns of Jacob de Zoet and Next by James Hynes. (Thanks, Dan)
●
●
What to Dispense With
Say you’re the kind of person who never ends a sentence with a preposition. You’re studious about distinguishing between “its” and “it’s,” and you’re likely to judge a person who says “nauseous” when they should have said “nauseated.” But occasionally, if you’re being honest with yourself, you suspect that a lot of the grammar rules you follow are conditional or even arbitrary. Herewith, Steven Pinker offers ten rules you should break from time to time. (Related: Fiona Maazel wrote an essay for The Millions on good grammar.)
●
●
AWP, Here We Come
Anyone heading to Los Angeles for AWP might first want to check out this handy AWP Advice from a Young Curmudgeon. Some tips include not propositioning Maggie Nelson with temporary tattoos and the promise of a Scandinavian vacation.
●
●
Everyone Gets a Badge
Over at the Observer, Brent Underwood writes on how he self-published a fake book on Amazon. He sold a total of three copies, enough for him to earn the #1 Best Seller badge in several categories. Now his fake book has landed an actual book deal and is available in paperback.
Eyes to See
“'These issues are constantly being brought to the surface in Roman literature, if you have eyes to see them,' Beard said. 'And, of course, having eyes to see them—that’s what the trick is.'” Rebecca Mead writes for the New Yorker about Mary Beard, the Cambridge classicist famous for her BBC programs on Roman life and for her handling of online harassment. For more from Beard, check out her interview with the Los Angeles Review of Books about the importance of the classics, and for more about online negativity, head to Salon's article on "Why female writers get trolled the most."