Since his death in 1950, George Orwell has grown more and more popular, so much so that his eponymous adjective is now widely used even by ideological enemies. So how did this state of affairs come about? In the new Intelligent Life, an offshoot of The Economist, Robert Butler delves into the story of how Orwell became an icon. Pair with: Vishwas Gaitonde on his visit to Orwell’s birthplace.
Blairian
Tuesday New Release Day: Franzen, Binet, Baldwin, Müller
A new collection of non-fiction by Jonathan Franzen, Farther Away: Essays, is out today. Also out is Laurent Binet’s HHhH, from which we recently published some redacted scenes. Other new releases this week include Rosecrans Baldwin’s memoir Paris, I Love You but You’re Bringing Me Down and Nobel laureate Herta Müller’s The Hunger Angel.
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Well-informed ghosts
Kurt Anderson on the difference between writing a novel in first and third person voice: “Most third-person narrators are less like omniscient gods than exceedingly snoopy, well-informed ghosts. “
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Love Sonnet
If you haven’t watched it already, you should now. Lin-Manuel Miranda reads a sonnet in honor of his wife and the victims of the Orlando massacre at the Tony Awards. “And love is love is love is love is love is love is love is love cannot be killed or swept aside.”
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Hatchet Job Prize
Turns out Americans aren’t the only ones who adore snark. The novelist and critic Adam Mars-Jones has won the first Hatchet Job prize from the British website Omnivore for his blistering takedown of Michael Cunningham’s latest novel, By Nightfall. Mars-Jones beat out Geoff Dyer’s slam of Booker Prize winner Julian Barnes’s The Sense of an Ending. “It isn’t terrible,” Dyer wrote, “it’s just so…average.”
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He Means Well
The “good bad guy” has been having his moment on television. From Don Draper to Tony Soprano, America loves the anti-hero. Here’s a look at some literary anti-heroes from over at Ploughshares. You are likely to either agree with or be enraged by this essay from The Millions on likeability in fiction.
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