Got a crush on Draco Malfoy? J.K. Rowling is concerned. In a piece on her website, she writes: “I have often had cause to remark on how unnerved I have been by the number of girls who fell for this particular fictional character.” Pair with: our own Elizabeth Minkel on Rowling and other authors with second thoughts.
“After ten years of painting, that is to say ten years of using an abstract, invented language, writing stories was the closest I had come to working in the realm of ‘realism.’ It was the most direct I had ever been in my art. Perhaps the most direct I had ever been. But, as I learned from the comments of my peers in workshop (‘this isn’t a story,’ ‘this is poetry,’ ‘what is this’), my writing was something other than what we referred to as literary realism. By which I mean, the writing many have come to believe most accurately represents life.” Susan Steinberg asks what happened to American experimental writing.
Looking for a new literary magazine to submit to? Check out Midnight Breakfast. The Rumpus’s Rebecca Rubenstein edits the online free literary magazine, which is looking for fiction, nonfiction, interviews, and art that will “spark a conversation.” The first issue includes a Jason Diamond coming-of-age essay and a short story by Matthew Salesses.
“She told the students not to explain too much, that they could throw in expressions in Igbo or Yoruba or pidgin and trust the reader to get it. She told them that even if a story was autobiographical it should be shaped—that, for instance, although in life you could have ten close friends, in fiction you could not, because it was too confusing. She told them to avoid inflated language—’never purchase when you can buy.'” A delightful (and somewhat rare) long profile of Chimamanda Ngozi Adichie in the New Yorker.