“I bet you can relate. Always another crisis, always more costs to keep down. It’s hard to find time for yourself, you know? But the president of the United States should be able to read a book when he wants to. Or at least look at one. Maybe I could just look at this book for a while.”
“Perhaps this is why King favors prose—many of his novels and stories confront terror so enormous it transcends poetic language.” In Poetry Foundation, an essay about Stephen King‘s little known literary habit: writing poetry. Pair with: our editor Lydia Kiesling on discovering America through King’s novels.
New this week: Amnesia by Peter Carey; Outline by Rachel Cusk; The First Bad Man by Miranda July; Binary Star by Sarah Gerard; Bonita Avenue by Peter Buwalda; The Girl on the Train by Paula Hawkins; Refund by Karen Bender; In Some Other World, Maybe by Shari Goldhagen; Harraga by Boualem Sansal; and West of Sunset by Stewart O’Nan. For more on these and other new titles, check out our Great 2015 First-Half Book Preview.
In the mid-90s, David Foster Wallace published a scathing review of a John Updike novel, Toward the End of Time, that became a key text for critics of the celebrated author. Now, at The New Republic, David Baddiel argues that Updike gets a bad rap, while Jeffrey Meyers backs up DFW’s position. It might also be a good time to read James Santel’s review of Updike’s Collected Stories.
“Too often, being on the left tasks you with a vigilant daily quest to avoid being tagged with snobbery. In sociological living, we place value on those works or groups that seem most likely to force a reevaluation of an exclusive or oppressive order, or an order felt to be oppressive simply because exclusive. And yet despite this perpetual reevaluation of all values, the underlying social order seems unchanged; the sense of it all being a game not only persists, but hardens.” From n + 1, the latest “Intellectual Situation”: “Too Much Sociology.”