New this week: The Most of Nora Ephron; At Night We Walk in Circles by New Yorker 20 Under 40er Daniel Alarcón; S., a novel written by Doug Dorst in collaboration with J.J. Abrams (which naturally has a trailer); and The Gorgeous Nothings, a full-color facsimile of poems that Emily Dickinson drafted on the backs of envelopes. For more on these and other new titles, check out our Great Second-Half 2013 Book Preview.
Apropos of Mark O'Connell's contemplation of the Kindle is this piece by The Guardian's Sam Leith on what to expect if the Kindle truly does supplant the printed book.
You might never be able to finish Proust's Remembrance of Things Past, but you can stay in his hotel. France is marketing its literary heritage with hotels named after famous authors. At the aforementioned Marcel, guests can stay in rooms named after Proust characters. If you aren't a fan of madeleines, you can check into the R Kipling or Le Pavillon des Lettres.
“Despite a glut of English translations (well over a hundred, by my count),” writes Dante scholar Robert Pogue Harrison, “New versions of the entire [Divine Comedy] poem or individual canticles continue to appear in rapid succession—six in the last decade alone.” Over at the New York Review of Books, he investigates three of the latest: Dan Brown’s Inferno, Mary Jo Bang’s Inferno, and Clive James’s Divine Comedy.
“I think it’s important that poets exist in societies because they exist in the realm of affect. Feeling is important to them. How people feel, what they feel, what breaks them, how trauma resonates through their lives... that’s a legitimate space in poetry. It’s a legitimate space for investigation.” Aaron Coleman interviews Citizen author Claudia Rankine about intimacy, her writing process, and her experience in an MFA program.