Out this week: The Barefoot Queen by Ildefonso Falcones; A Stranger in My Own Country by Hans Fallada; Teresa, My Love by Julia Kristeva; an omnibus edition of John le Carré’s first three novels; Ticket to Childhood by Nguyen Nhat Anh; and a new volume of letters by Mark Twain. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
We’ve been back from our holiday travels for a few days, and I’ve finally had some time to catch up with some online reading. Here are some articles and links that caught my eye. (Several of these come from Arts and Letters Daily)From Scientific American, a look at last year’s tsunami and how scientists have used this real life event to validate and augment various previously untested theories about these rare, cataclysmic events.The 2005 Dubious Data Awards: the Statistical Assessment Service (STATS) at George Mason University highlights several examples of overhyped news stories based on dubious numbers.From Wired: Will the impending bird-flu pandemic be a global version of “the boy who cried wolf?” Scientists are trying to assess the real danger using supercomputers to play out fantastically complicated simulations that remind me of SimCity.In the Washington Post, Jonathan Yardley “reconsiders” C.S. Forester’s Horatio Hornblower saga. He suggests Beat to Quarters as the best in the series.I’ve definitely become very interested in the business of newspapers in the last few years. Mike Hughlett’s article in the Chicago Tribune is a little “inside baseball,” but it lays out how important classified ads are to newspapers, and explains why newspapers aren’t as imperiled in the in online classified arena as some might suggest.Another tough business is opening a coffee shop. Michael Idov shares the harrowing details of his experience at Slate.A no-frills list of the bestselling books from 1900 to 1998, year by year.
2,000 recently digitized copies of Ernest Hemingway’s papers will be transferred from Cuba to Boston’s John F. Kennedy Library – this will be the first time copies of the papers will be available to U.S. researchers. As of right now, I don’t believe there are any plans to return the urinal Hemingway took from a Key West bar to its proper location in Sloppy Joe’s.
“The Goldfinch is a grand nineteenth-century novel in that it is an 800-page chronicle of capitalism, a paean to the ways in which the world turns on the questions of who can or can’t pay for what, and how these abilities and inabilities mold us over time. Like the life events and relationships it depicts, it purports to be about love but is actually about money. This portrayal of twentieth century North American society is accurate, but also, just as in life, both exhausting and demoralizing.” On Donna Tartt’s latest novel. (You could also read Adam Dalva’s take on the book.)
“Facing the daily avalanche of stories about outrageous corruption, writing about timely political issues can often feel pointless. It can be easy to lose faith in the creative process.” For LitHub, an essay by Tom McAllister on writing about politically-charged traumas with humanity and his new novel, How to Be Safe. Pair with: our 2010 interview with McAllister.