Edmund Wilson famously said of the works of H.P. Lovecraft that “the only real horror in most of these fictions is the horror of bad taste and bad art.” In time, however, Lovecraft developed a substantial following, which raises the question of what attracted readers to his work. The answer? “The weird realism that runs through his writings undermines any belief system – religious or humanist – in which the human mind is the centre of the universe.” Related: Ben Dooley on the scariness of House of Leaves.
To the Edge of Sanity
The Tactile Comic Book
A designer from Copenhagen, Philipp Meyer (not the novelist), has created the first comic book for the blind. “Most of the tactile material that is available for blind people is very information dense. It’s always about information and not often about art,” he says.
Tuesday New Release Day: Williams; Tan; Bennett; Winter; Pollock; Watson; Cannon; Karlsson
Out this week: Ninety-Nine Stories of God by Joy Williams; Sarong Party Girls by Cheryl Lu-Lien Tan; Pond by Claire Louise-Bennett; Break in Case of Emergency by Jessica Winter; The Heavenly Table by Donald Ray Pollock; Miss Jane by Brad Watson; The Trouble with Goats and Sheep by Joanna Cannon; and The Invoice by Jonas Karlsson. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
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We Read No More
Victor Hugo, when asked about the other parts of Dante’s Divine Comedy that aren’t the widely-read Inferno, had this to say: “The human eye was not made to look upon so much light, and when the poem becomes happy, it becomes boring.” Ouch. Is this why so many of us haven’t even read Dante, despite his being a kind of cultural icon?
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Shenandoah Online
After publishing print editions for 60 years, Shenandoah has entered the digital game.
The Island of Last Chances
Have you ever had a script rejected? Did you reassure yourself it had to do with just about anything other than the quality of your writing? Well now’s the chance to put your money where your mouth is – a new Hollywood startup called Adaptive Studios is “rummaging through the trash” and breathing new life into dead movie scripts.
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Where the Wild Things Are
“After breaking down the data by neighborhood and age group, it became clear: Children’s books are a rarity in high-poverty urban communities. The likelihood that a parent could find a book for purchase in these areas ‘is very slim.’” On book deserts across America.