Edmund Wilson famously said of the works of H.P. Lovecraft that “the only real horror in most of these fictions is the horror of bad taste and bad art.” In time, however, Lovecraft developed a substantial following, which raises the question of what attracted readers to his work. The answer? “The weird realism that runs through his writings undermines any belief system – religious or humanist – in which the human mind is the centre of the universe.” Related: Ben Dooley on the scariness of House of Leaves.
Do you want to work at The Strand in New York City? Think you have what it takes? Take this famous quiz and match each work with its author to see if you have the literary chops to pick up a paycheck from one of the United States’s most beloved bookstores.
My book, The Late American Novel: Writers on the Future of Books is out today (more on that here), and also out this week is Joshua Foer’s (the latest of the Foer’s to throw his hat in the authorial ring) Moonwalking with Einstein: The Art and Science of Remembering Everything, buzzed about food memoir Blood, Bones & Butter: The Inadvertent Education of a Reluctant Chef, a new look at the modern world’s most ubiquitous commodity James Gleick’s The Information: A History, a Theory, a Flood, Library of America boxing anthology At The Fights: American Writers on Boxing, Mat Johnson’s Poe-inspired Pym, and Victoria Patterson’s This Vacant Paradise. New in Paperback: Sam Lipsyte’s The Ask and Chang-rae Lee’s The Surrendered.