A couple months ago, Melville House published a biography of Roberto Bolaño, constructed from interviews the author gave throughout his life. At Full-Stop, Andrew Mitchell Davenport reads the biography, suggesting that the preponderance of myths about the author “makes elucidating Bolaño’s biography a moral issue.” Pair with: our own Garth Risk Hallberg’s Bolaño syllabus.
What if a treasure hunt in a book crossed over into the real world? Author Kit Williams buried a prize and left clues to its location in his novel, Masquerade. The search drove England crazy. Our own Hannah Gersen maps the imaginary in her essay about how authors organize their manuscripts.
After moving to Brooklyn, Sabine Heinlein spent a year trying to learn English, a task which left the native German speaker “close to aphasic” after a few months. Eventually, she met up with another recent immigrant, who enlisted her for help in a sprawling art project: a collection of words from each language spoken in New York City. At The Hairpin, she writes about her experience.
In 2006, Gene Luen Yang became the first graphic novelist to be nominated for a National Book Award. Yang earned a nomination in the Young People’s Literature category for the graphic novel American Born Chinese. Now Yang has been nominated a second time, again in the Young People’s Literature category, for a new book, Boxers and Saints. Francoise Mouly and Mina Kaneko talk with Yang at Page-Turner. (You can also read our interview.)
Emily Smith discusses the place of zines in contemporary American politics, over at Ploughshares. As she puts it, “Zines, like street art, are allowed critical power through anonymity—a function newsstand periodicals simply can’t perform for the sake of reputation or the sacrifice of advertisers. In this way, zines are small-scale democracies.”