If you’ve ever been asked to write a thank-you note, you know that, paradoxically, it can be one of the hardest forms of writing to do well. In light of that, The Morning News has kindly republished their classic guide to writing thank-you notes, written by Leslie Harpold. Sample quote: “If you want to know when you get a genuine pass on writing a note, the litmus test is simple: Do I live under the same roof as the giver?”
Thank You, Scratch That
Doing More With Less
Nollywood is the name given to Nigeria's $500 million movie business. For about the same amount of money that was spent on the promotion and production of James Cameron's Avatar, Nollywood is able to churn out a thousand films each year, trailing only Bollywood and Hollywood in terms of revenue.
The World Outside
Recommended Reading: Jesse Barron on Matthew Crawford’s The World Beyond Your Head.
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To Have or Have Not
Read our own Edan Lepucki’s great review of Selfish, Shallow and Self-Absorbed: Sixteen Writers on the Decision Not to Have Kids? Then you might want to read Vivian Gornick’s complementary take on the book. In Bookforum, she reads Meghan Daum’s anthology as well as Kate Bolick’s Spinster, placing the two in a broader feminist context.
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Reading Dickens in Lagos
George Packer at Lapham’s Quarterly writes of meeting a young Burmese reader of Charles Dickens: “‘All of those characters are me,’ [he] explained. ‘Neither a British nor American young man living in the twenty-first century can understand a Dickens as well as I can...I am more equipped to understand Dickens than modern novels. I don’t know what is air conditioning, what is subway, what is fingerprint exam.’” (via Book Bench)
Blogging the Caine Prize
The first installment in a series of bloggers reading through the shortlist of the Caine Prize for African Writing, Aaron Bady looks at Rotimi Babutunde's Bombay Republic [pdf]. A full list of participating bloggers is available at the bottom of Bady's post.
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2015 VIDA Count
The 2015 VIDA count was published on Wednesday, tracking the representation of race, ethnicity, gender, sexual identity, and ability in liberal arts. It’s a good time to revisit our piece on last year’s numbers to see what progress has been made.
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Take Shelter
"I found it hard to escape the sensation that I’d be teaching inside a giant metaphor." Rachel Kadish once taught a creative writing class in a bomb shelter, but rather than stifling her students' work, it allowed her to see how writing can act as a shelter, too.
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A lost art, indeed.
Luckily, there are samples of whole notes, too: http://imissyouwheniblink.com/2013/01/08/no-thank-you-how-to-write-a-thank-you-note/