It’s notoriously difficult to figure out how to make a living as a freelance writer. The process forces the writer to learn the finer points of negotiation. At the Ploughshares blog, Steph Auteri writes about the “abstract mathematics” of her freelance career, presenting a list of everything she considers before taking on an assignment. Pair with: our own Nick Ripatrazone on teaching the business of creative writing.
Take It to the Bank
The Unbearable Finitude of Reading
Beginning with the same premise—one can only read so many books in a given lifetime—two authors write very different articles: Maria Bustillos lists the recommendations of George Orwell, Henry Miller, and John Waters that she's followed in an effort to maximize her short reading life. Marc Wortman wonders if authors are being paid by the page and, given our short lives, whether we should even bother with the behemoth volumes coming out recently.
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Tuesday New Release Day: Krauss; Szabó; Yamashita; Locke; Hasbún; Rowe; Olukotun; Ng
Out this week: Forest Dark by Nicole Krauss; Katalin Street by Magda Szabó; Letters to Memory by Karen Tei Yamashita; Bluebird, Bluebird by Attica Locke; Affections by Rodrigo Hasbún; A Loving, Faithful Animal by Josephine Rowe; After the Flare by Deji Bryce Olukotun; and Little Fires Everywhere by Celeste Ng. For more on these and other new titles, go read our most recent book preview.
This is Your Brain on Austen
What does your brain look like when you read a Jane Austen novel? One group of Stanford researches is using an MRI machine to find out.
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Blue Nights
An "extended short film excerpt" of Joan Didion reading from her memoir Blue Nights, which our own Michael Bourne reviewed yesterday.
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How to Treat an “Apocalyptic Hangover”
The second issue of the new journal Music & Literature is a feast for Krasznahorkai enthusiasts and neophytes alike, with some 70 pages of previously untranslated fiction, interviews, and essays, along with critical context on the "Hungarian Master of the Apocalypse." Alas, only George Szirtes' essay and an interview with translator Ottilie Mulzet are available digitally. But the complete analog package is highly recommended.
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A Detective Meets His End
Things you can learn from this interview with Swedish crime writer Henning Mankell: there is a genre called “Scandi-noir;” the time Mankell spent as a sailor acted as “a sort of university;” and the fact that Mankell has been married four times proves that he is an optimist.
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