It’s notoriously difficult to figure out how to make a living as a freelance writer. The process forces the writer to learn the finer points of negotiation. At the Ploughshares blog, Steph Auteri writes about the “abstract mathematics” of her freelance career, presenting a list of everything she considers before taking on an assignment. Pair with: our own Nick Ripatrazone on teaching the business of creative writing.
Take It to the Bank
Candlepin Bowling with Elizabeth McCracken
Elizabeth McCracken discusses her new novel, Bowlaway, with Ann Patchett in a new interview for Patchett's bookstore, Parnassus Books.
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Our Man in Croatia
Robert Perišic’s Our Man in Iraq made it onto the first installment of our Great 2013 Book Preview. A few weeks ago, Perišic sat down for an interview with John Feffer about ongoing changes in the author’s native Croatia, which recently acceded to the EU as its 28th member state.
fragment:story
If you know what the phrase “hypertext story” means, you’re likely at least passingly familiar with new media literature, which first appeared all the way back in the days of floppy disks. At Ploughshares, a brief introduction to the genre, with a nod to hypertext ur-teacher and novelist Robert Coover. You could also read Guy Patrick Cunningham on writing in the digital age.
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Not Named Knausgaard
Think Knausgaard is the only Norwegian writer worth knowing? Think again. Lit Hub has a roundup of “Five Great Norwegian Writers Not Named Knausgaard.”
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Guns N’ Roses N’ Meth
In this piece on “Southern Enlightenment“, Kevin Charles Redmon checks out John Jeremiah Sullivan‘s Pulphead and Frank Bill‘s Crimes in Southern Indiana for The Rumpus. In the process, he touches on Axl Rose and methamphetamines.
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We Can’t All Be David Ebershoff
Recommended Reading: this essay by Sophia Knight on why she decided to quit her high-stakes job as a corporate editor in favor of a more modest writer’s income. If it’s publishing stories you’re after, here’s an old Millions favorite on whether or not to self-publish.
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