Our staff writer Nick Ripatrazone has published two books in the last year – the short story collection Good People and the novella We Will Listen For You – and both have recently been reviewed in New Jersey papers, which agree that the books are “an invitation to look beyond the stone walls of churches and gape in wonder at the world and the unknowable vistas beyond.” Pair with Nick’s ever-relevant essays on teaching English and becoming a writer, not a priest.
Ripatrazone & Reviews
A Brief History of Gay Liberation
“If the taglines used to market lesbian, gay, bisexual, and transgender Americans to the country’s mainstream—‘Love Wins,’ ‘It Gets Better,’ and ‘You Can Play’—have led to unprecedented levels of inclusion and visibility, it is precisely by shoving sex aside and presenting gay people and straight people as essentially the same at heart. In the process, as the outsider status attached to being gay disappears in more and more contexts, some of gay culture’s radical roots risk being expunged from memory.” On Jim Downs’s Stand by Me: The Forgotten History of Gay Liberation.
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Geoff Dyer on Garry Winogrand
Year in Reading alum Geoff Dyer takes a fascinating look at two photographers – Garry Winogrand and Tod Papageorge – who happened to photograph the same thing at the same time, but wound up producing wildly different images.
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(Winds of) Winter is Coming.
Get your mind right ahead of the Game of Thrones Season 4 premiere by reading this just-released chapter of George R. R. Martin’s sixth Song of Ice and Fire installment, Winds of Winter. Martin told fans in a recent blog post, “The new chapter is actually an old chapter. But no, it’s not one I’ve published or posted before.”
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New DeLillo
Some exciting news for Don DeLillio fans. His first ever collection of short stories is coming out in November, The Angel Esmeralda. The stories were written between 1979 and 2011, and the title story appeared in Esquire in May 1994.
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At Least The CIA Is Reading Your Books
The CIA might just be America’s most literary government agency, no? Not only did they (maybe) help fund the early days of The Paris Review but, according to Eric Bennett, the group also funded the nation’s most prestigious and storied creative writing program. Over on Iowa Public Radio, you can hear some details.
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