“I’m drawn to books that deal in fragments and digressions, authors that patch together something larger from these pieces while also letting them stand on their own.” Sam Stephenson writes about “reimagining what a biography can look like” and reading Tennessee Williams: Notebooks, edited by Margaret Bradham Thornton, in a piece for The Paris Review. He also mentions Tennessee Williams: Mad Pilgrimage of the Flesh, which Tyler Gillespie recently reviewed for The Millions.
Jack Gilbert died yesterday at the age of 87. Gilbert was the author of five standalone poetry collections—as well as additional collected volumes such as last March’s Collected Poems—and he was also a past winner of a National Book Critics Circle Award. For The LA Times, John Penner reviews the poet’s legacy. Or, perhaps as fitting tribute to Gilbert’s life and work, better to hear his own final lines to the poem “Failing and Flying”: “I believe Icarus was not failing as he fell, / but just coming to the end of his triumph.”
“I worry that people in the city where the novel is based will take issue, all kinds of issue, with it. I worry that readers will be like who cares.” Here are all the things you should be worried about while working on a novel, helpfully brought to light by Susannah Felts at The Literary Hub.
Over at The Literary Hub, real-life writer Anthony Marra has conducted a hilarious interview with Dana Schwartz, the creative mind behind everyone’s favorite–if uncomfortably familiar–Twitter account, @GuyInYourMFA. Here’s the New York Times review of Marra’s latest novel, The Tsar of Love and Techno.