Murray Farish‘s debut collection, Inappropriate Behavior, includes tales of fictionalized or alternative history that incline toward the surreal. He discusses the “principally and unaccountably strange” with Evelyn Somers, who has written about his work before, at Bloom. Fancy yourself more weirdness? Head to Weird Fiction Review curated by Jeff VanderMeer, whose Southern Reach trilogy was just released in one volume.
“Principally & Unaccountably Strange”
Following Oscar
“To translate the power of Tish and Fonny’s love to the screen in Baldwin’s image is a dream I’ve long held dear. Working alongside the Baldwin Estate, I’m excited to finally make that dream come true.” Oscar-winning Moonlight director Barry Jenkins is adapting James Baldwin's 1974 novel If Beale Street Could Talk for the screen, says The Hollywood Reporter. (He's also bringing Colson Whitehead's The Underground Railroad to visual life as well.)
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Revel in the Disorderly
"The only way to get something new out of language, to try and get to what feels like the nearest simulacrum of truth, is to bend and shape that language, to break it’s form and strain against it, to coax it into a shape, to play with it. To revel in the disorderly." Madeleine Watts writes about Eimear McBride's A Girl is a Half-Formed Thing (which our own Hannah Gersen recently reviewed), the limits of language and the necessity of a "Girl Canon" for The Believer's blog.
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‘I’m going to begin by telling you about Miss Frost.’
Simon & Schuster has posted an excerpt of John Irving's forthcoming novel In One Person.
On Kenny’s Window
Maria Popova writes about Kenny’s Window, Maurice Sendak’s “debut as a storyteller.” Our own Emily Collette Wilkinson reflected on Sendak’s vision upon his passing.
Garcia Marquez Movie Protested
Production of a film based on Gabriel Garcia Marquez's Memories of My Melancholy Whores is being met with opposition from anti-prostitution groups in Mexico. HuffPo has the story. (Thanks Buzz)
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