When, in 1921, a young French writer working as a translator for James Joyce asked the writer to reveal his schema for Ulysses, Joyce balked, saying that “If I gave it all up immediately, I’d lose my immortality.” What he meant, at least in part, is that he wanted his opus to be relevant in perpetuity. At Full-Stop, Dustin Illingworth reads Ulysses on Twitter and asks: can the book survive the transition from the page to social media? Pair with: Josh Cook on The House of Ulysses by Julian Rios.
Perpetua
Broken Embraces
Catch it while you can: Charlie Rose‘s hour-long interview with Pedro Almodóvar and his muse, Penélope Cruz, touches on character, confidence, and control, and is currently available online. Almodóvar’s latest film, Broken Embraces, which I saw last summer in Madrid sans subtitles, was so visually stunning and well-acted that despite my meager translation the film enthralled. With a proper translation, it should be ravishing.
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Internet’s End
Recommended Reading: Sam Frank’s interview with Infomaniacs author Matthew Thurber.
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“I learned to look outward more”
“There are dangers for an artist in any academic environment,” says former Poetry editor Christian Wiman, who now teaches at the Yale Institute of Sacred Music. “Academia rewards people who know their own minds and have developed an ironclad confidence in speaking them. That kind of assurance is death for an artist.”
Scream for ‘The Scream’
A recent study by the American Psychological Association finds “people are more likely to be moved and intrigued by abstract paintings if they have just experienced a good scare.”
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There Goes Ten Minutes of Your Weekend
The visual wizards of Pop Chart Lab have put together yet another mind-bogglingly thorough visual taxonomy. This time, instead of cocktails or monsters, the graphic artists have turned their attention toward “The Magnificent Map of Rap Names.”
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‘I’m going to begin by telling you about Miss Frost.’
Simon & Schuster has posted an excerpt of John Irving’s forthcoming novel In One Person.
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