When, in 1921, a young French writer working as a translator for James Joyce asked the writer to reveal his schema for Ulysses, Joyce balked, saying that “If I gave it all up immediately, I’d lose my immortality.” What he meant, at least in part, is that he wanted his opus to be relevant in perpetuity. At Full-Stop, Dustin Illingworth reads Ulysses on Twitter and asks: can the book survive the transition from the page to social media? Pair with: Josh Cook on The House of Ulysses by Julian Rios.
I’ve long thought that New Orleans is the greatest city in America and that it’s nigh impossible to make it much better. That was before Tulane University announced that Salvage the Bones and Men We Reaped author Jesmyn Ward will be joining their faculty. Let it be thus known: on July 1, 2014, New Orleans will get even better than I could’ve imagined.
“All this is by way of saying that in the United States we haven’t got any actual royals, and yet almost the very first stories we hear are about princes and princesses, kings and queens. When a little American kid first learns that there is such a thing as real, live princes and princesses, who live in actual palaces, this is liable to come as a terrific shock, though in general a pleasing one. One would like it to be true; it’s a very nice idea, that there is such a thing as an incorruptible person for whom everything will — everything must — come right in the end.” Maria Bustillos on America’s fascination with royalty.
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“This is minor, but I noticed a few typos. For instance, at various points on pages 144 through 148 and also on page 202, you wrote, ‘All wokr and no play makes Jack a dull boy.’ And on page 308, it’s ‘All work and no play makes Jack a dull Jack.’ If that one’s intentional, it provides a nice break from the preceding 307 pages, and the levity is a nice contrast to the monotony.” Notes on a Jack Torrance manuscript.