“At the outset, Nair is in Sierra Leone to keep tabs on his old friend and uses the occasion to practice a little freelance extortion, stealing unspecified multinational secrets on a flash drive and sending them back to his girlfriend in Amsterdam. The first 50 pages are like a Johnsonian take on Graham Greene’s humid morality-play potboilers. Nair keeps meeting shifty European acquaintances and distrusting everything they say.” John Lingan reviews Denis Johnson’s new novel.
Authors, are you struggling to get your book’s characters together? Are they lacking a little spark, a little intimacy? Well, have no fear. The folks at Open Road Media put together a video with Erica Jong, Lawrence Block, Patricia Gaffney, and a few more authors on The Art of Writing Sex Scenes. This should do the trick.
Leslie Jamison and Francine Prose discuss the ways reading can affect your life for the worse, with potential results ranging from murder to being bad at sports.
Hollywood is romanticizing the Beat Generation in its recent adaptations of On the Road (trailer here), Big Sur (trailer here), and Kill Your Darlings, and you can blame Millennials. “In casting the authors as eternally and fundamentally adolescent, the recent revival tones down their behavior—both revolutionary and repulsive—as a sort of passing teenage phase,” Jordan Larson argues for The Atlantic.
“I don’t want to settle for distraction; I want to look forward to reading my book with the palpitating excitement of a second date with someone I’ve already fallen for. I want to miss my stop. Ideally, I’ll miss a few.” While it can be easy to spot a beach, airplane, or cabin read, Adam Sternbergh‘s writes about finding the perfect “subway read” for the New York Times. From our archives: our own Nick Ripatrazone‘s essay on reading and writing on trains.