Recommended reading: Meg Wolitzer wonders “why are teenage girls drawn to books about mental instability?“
The publishing industry is roughly 86% white. Yet comparative titles, or “book comps,” are whiter still, the L.A. Review of Books has found, arguing that this makes it exceptionally difficult for writers of color to place their books with imprints at Big Five publishers. “Comps,” in other words, “perpetuate the status quo.” Here’s how.
“Since his release, in 2005, he has graduated from the University of Maryland and Warren Wilson College’s low-residency M.F.A. program, been a Radcliffe Fellow at Harvard, received an N.A.A.C.P. Image Award, got married, and had two sons. ‘I’ve added some fancy stars … so now I’m like Felon Plus.’” Take a look at this fascinating New Yorker profile of Reginald Dwayne Betts: poet, memoirist, ex-convict-cum-lawyer, and family man.
Last April, our own Bill Morris bemoaned the current state of America’s higher education system. At the same time, Malcolm Harris derided the unreasonable cost of that same system. Now Benjamin Ginsberg, author of The Fall of the Faculty, places blame for both criticisms on the shoulders of universities’ expanding administrative staff.