Reading books is great; buying books is better. But how should they be organized? NPR, under the guidance of librarian Kee Malesky, has some pointers.
Anwen Crawford reflects on newly published letters from Sylvia Plath; "The belief among many of Plath’s devotees seems to be that if we can get clear of other people’s fingerprints on her texts, allowing Plath to 'fully narrate her own autobiography,' as the editors here describe it, we will at last solve the riddle of her. The extremities of her poetry will balance against the circumstances of her life; the latter will equal the former. But her griefs were ordinary; it is what she did with them that wasn’t. Plath turned her common sorrows—dead father, mental illness, cheating husband—into something like an origin story for pain itself, as if her own pain preceded the world." In the New Yorker
The office novel, by nature, is a tricky construct, if only because your average white-collar job doesn’t offer much in the way of fiction-worthy moments. That said, recent books like Then We Came to the End by Joshua Ferris demonstrate how fruitful it can be to wring drama out of the rat race. In the latest issue of Dissent, Cubed author Nikil Saval delves into the contradictions of office fiction. FYI, Saval wrote a Year in Reading entry for us.
There are reality TV shows for aspiring designers, singers, and chefs, so what about writers? The Italian reality show Masterpiece will pit writers against each other in competition for a book deal. As judge Giancarlo De Cataldo said, “The book is dying, and we must do everything we can to save it. Even a talent show.” We expect a lot of dramatic crying at typewriters.