Recommended reading: Jason Arthur bids “Good Riddance to the Good-Bye-To-New-York Essay” for The Rumpus. Pair with Eryn Loeb‘s review of Goodbye To All That: Writers on Loving and Leaving New York and our own Elizabeth Minkel‘s account of rereading Didion‘s original “Goodbye to All That.”
Good Riddance
Zen and the Art of Headlines
This handy guide from The Week shows how to identify which website a headline comes from, from Gawker to The New York Times. Pair with Janet Potter’s Millions piece on rewriting book titles to get more clicks.
Research Bunker in NYC
The New York Public Library’s research collection will be moving to an impressive concrete bunker beneath Bryant Park (instead of the much protested option—New Jersey). Our own Michael Bourne writes about how the subway car, once a rolling library, is transitioning to digital.
My Way of Proceeding
New poems from Rae Armantrout are always a cause for celebration. Here are two of them from the Possession issue of Granta Magazine, along with a couple of bonus poems by Caitlin Scarano. Don’t worry, you can thank me later.
Librarians > Google
A pretty nifty Neil Gaiman quotation appears on the floor of the Duke University Medical Center Library.
One comment:
Add Your Comment: Cancel reply
This site uses Akismet to reduce spam. Learn how your comment data is processed.
Very Short Film Contest
UK students have until December 31, 2012 to record a 60-second Very Short Film on any topic of their choosing so long as it can “fire up an audience’s curiosity.” The winner will earn £9,000 (~$14,465.70) for their education, and top submissions will be featured on the Guardian website.
ICYMI
“People write to me to let me know that, in case I missed it, there are only two genders.” Year in Reading alum Maggie Nelson, author of The Argonauts, speaks to The Guardian about gender, family, and her personal life.
No More McNuggets
Back in 2011, our founder C. Max Magee pointed to the fan art of Chris Ayers, who was inspired by DFW’s Infinite Jest. Now, Ayers has a new series, drawn from Margaret Atwood’s MaddAdam trilogy, that illustrates the corporate horrors of the trilogy’s fictional dystopia. Pair with Vanessa Blakeslee on Atwood’s In Other Worlds.
One step further back, Anthony Graves had the original original Goodbye to All That/