Black Country, the debut book of poetry by Liz Berry, won this year’s Forward prize for best first collection. At The Guardian, Ben Wilkinson writes about the ways in which the book “digs deep into the poet’s West Midlands roots, enlivening and reimagining the heritage of that eponymous heartland of iron foundries, coal mines and steel mills, on both personal and public footings.”
Foundry Lit
Marco Roth on Kazuo Ishiguro
In honor of the upcoming film adaptation of Kazuo Ishiguro’s Never Let Me Go, n+1 posts Marco Roth’s compelling review of Ishiguro’s novel and Michel Houellebecq’s The Possibility of an Island online for the first time.
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David Sedaris Is Not Loving His Early Work
The essayist discusses lazy words, pandemic fashion, and how going on tour changed his writing style.
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Waiting for Gatsby.
The new film adaptation of The Great Gatsby is going to be released next summer, rather than on Christmas day as it had been originally scheduled. Too bad; I was really looking forward to the Gatsby themed New Year’s Eve parties, I mean just look at those costumes.
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What’s the Point
Recommended reading: What’s the point of handwriting, anyway?
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Tuesday New Release Day: Agee; Mann; Cowley; Virgil; Szybist
Out this week: The Complete Journalism of James Agee; Straight Razor by Randall Mann; The Long Voyage: Selected Letters of Malcolm Cowley; The Virgil Encyclopedia; and a new e-book edition of Incarnadine, the poetry collection by Mary Szybist that won this year’s National Book Award.
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‘Xerox made everybody a publisher.’ – McLuhan
At HTMLGiant, Adam Robinson has compiled an informative review of printers he’s used.
Tuesday New Release Day: Frame, London, Stafford, Tennyson, Bennet
Janet Frame’s posthumous novel In the Memorial Room is out this week, as is a new e-book edition of Jack London’s The Sea Wolf. Also out: Ask Me: 100 Essential Poems by the onetime Poet Laureate William Stafford; a new biography of Alfred, Lord Tennyson; and the latest edition of The Best American Magazine Writing.
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