Black Country, the debut book of poetry by Liz Berry, won this year’s Forward prize for best first collection. At The Guardian, Ben Wilkinson writes about the ways in which the book “digs deep into the poet’s West Midlands roots, enlivening and reimagining the heritage of that eponymous heartland of iron foundries, coal mines and steel mills, on both personal and public footings.”
Foundry Lit
Tuesday New Release Day: Carey, Mieville, Murakami
New today are Peter Carey's The Chemistry of Tears and China Mieville's Railsea. And Haruki Murakami's 1Q84 is now out in a snazzy three-volume boxed-set paperback edition.
The Price of Diversity
What is the price of diversity? Colleen Muir asks this question at The Rumpus in relation to the hefty cost of writers’ conferences. A piece of her essay: “I’m not claiming that Breadloaf [sic] lacks for talent, or that its writers don’t have interesting things to say. But it certainly lacks for diversity in at least one significant way, because most attendees share a privileged experience of the world.” Pair with Gail Gauthier’s essay on working in the kitchen crew at Bread Loaf.
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Catching the Muse, So to Speak
From Easel Orgy to Orgy in Oils, Giovanni Garcia-Fenech has rounded up dozens of sleazy paperback covers depicting artists intimately engaged in their work. (Side Note: it seems like the couple in Bride’s Dilemma is a tad overdressed.)
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Librarians > Google
A pretty nifty Neil Gaiman quotation appears on the floor of the Duke University Medical Center Library.
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Weltsday
Here's a Rob MacDonald poem about a spelling bee contestant struggling with the word weltschmerz to get you through your Wednesday.
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The M.F.A.? C’est Super!
If you've ever wondered what the life of an M.F.A. student looks like, here's your answer.