“That’s always been part of my goal — to show the dark side of women. Men write about bad men all the time, and they’re called antiheroes. … What I read and what I go to the movies for is not to find a best friend, not to find inspirations, not necessarily for a hero’s journey. It’s to be involved with characters that are maybe incredibly different from me, that may be incredibly bad but that feel authentic.” Gillian Flynn and Cheryl Strayed talk with The New York Times about the adaptations for Gone Girl, Wild, and writing credible characters. Their conversation pairs well with our own Edan Lepucki‘s essay on likability in fiction.
"It may be true... that the internet will turn out to be 'a giant empathy machine.' And yet, as any reader knows, we’ve already had one for centuries." Drew Calvert reviews The Novel: A Biography for the Los Angeles Review of Books and provides an argument for the novel in the digital age.
You’re only supposed to consume oysters in months with the letter “r” in their English (and French) names. This is because oysters in the Northern hemisphere are more likely to spoil during the warmer months of May, June, July, and August. So if you can’t eat ‘em, you might as well hear about ‘em instead, right? Presenting this video of Seamus Heaney reading his poem, “Oysters” (Text here).
Sylvia Plath’s final days have long been a source of fascination and horror for many readers. In a forthcoming unauthorized biography of Plath’s husband Ted Hughes, it is claimed that one of Hughes’s more contentious poems, "Last Letter," was written after an argument the couple had the night before Plath took her own life. Ted Hughes: An Unauthorized Life is out next week.