Fans of the French Oulipo movement will know about A Void, the Georges Perec novel written entirely without the use of the letter “e.” What very few readers of any kind know, however, is that in 1939, thirty years before Perec’s novel was published, Ernest Vincent Wright wrote a book in English, Gadsby, that hewed to these same constraints. At The Atlantic, Nikhil Sonnad investigates how this experiment plays out in the book.
Emazing
Blogs Worth Reading
Largehearted Boy has put out an updated installment of his “Blogs to Read.” This year, he modified his approach to include collectively authored sites, “to better include the collaborative websites I read every day.” The Millions is included as are a number of other excellent sites.
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Erdrich’s Love Medicine
In the latest from The Atlantic’s By Heart series, ex-Granta editor John Freeman discusses Louise Erdrich’s interpretation of Faulkner in Love Medicine. Pair with an essay on the pacing of Faulkner’s prose.
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Sick
What drives the Year in Reading alum and Boy, Snow, Bird author Helen Oyeyemi? If we can believe her interview with The Globe and Mail, it isn’t just the enjoyment she derives from writing fiction. When asked why she wrote her new book, she said: “A few reasons, but mainly to see if I could…at this point, it’s perversity that keeps me writing.”
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Stalking Eileen Myles
Former Millions intern and current McNally Jackson bookmonger Rachel Hurn discusses “escaping from” San Diego with Eileen Myles. “The sixth time I saw Myles read, I told her I was stalking her,” Hurn writes. “I think she thought I was serious. Maybe I was.”
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Mailerrific
Electric Literature held a Twitter contest recently in which their followers invented new literary neologisms for a chance to win copies of Carson Mell’s new e-book Saguaro. For my money, the clear winner was “Vonnegutsy: having the fortitude to mix aspects of genre fiction with literary fiction.”
You Are What You Buy
This piece by Carrie Murphy is delightful and playful and a couple other “adjective”+fuls all in one.
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That Kinetic Feeling
A couple weeks ago, Darcey Steinke wrote an essay for The Millions in which she remembered her friendship with Barry Hannah. She went into detail about the freewheeling energy of his prose. Now, in a review of Steinke’s latest for Bookforum, Lisa Locascio writes about the author’s own talents. “Many authors bounce the sacred and profane against each another; Steinke blasts them together with the intensity of CERN’s Large Hadron Collider (LHC),” she writes.
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