“Maybe our anointed literary books just have to be earnest ones because earnest ones showcase that soupçon of intelligence. Maybe humor isn’t felt to indicate a genuine commitment to looking smart.” Year in Reading alum Lydia Millet talks with Jenny Offill about humor writing, what books are “anointed” as modern classics, and Millet’s new book, Mermaids in Paradise.
Earnest vs. Humorous
“First Reads with James Wood”
The Faster Times recaps James Wood‘s recent lecture on David Foster Wallace‘s Brief Interviews With Hideous Men.
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Act 266, Scene 6
How do you turn a 900-page novel into a play? You make it five hours long, that’s how. Roberto Bolaño’s classic 2666 is headed for the stage.
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A Hypothetical Country
You never need an excuse to read new words written by Edwidge Danticat, but in case you did, here’s an excerpt from her introduction to the forthcoming edition of James Baldwin’s classic, semi-autobiographical novel Go Tell It On A Mountain.
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Bibliophilic Crack
In the spring of 2006, John Unsworth taught a graduate seminar on “Twentieth-Century American Bestsellers.” It led to one of history’s finest class projects–a browsable database of bestsellers, 337 in all. As with any bestseller lists, you’ll find a range of titles, everything from Thomas Wolfe to Tom Clancy, but click through and find that each entry includes an extremely detailed description of the book’s history (these were compiled by graduate students, after all); a mini-essay on its reception; images of covers, page layouts, and even some ads; and more. It is, in short, bibliophilic crack. (Thanks Craig)
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Ed Ruscha’s Thirtyfour Parking Lots, Recreated Using Google Maps
This is a clever project from artist Pascual Sisto: Remake of Ed Ruscha’s 1967 book Thirtyfour Parking Lots using Google Maps. (The original book) (via This Isn’t Happiness)
Teaching in Translation
Over at Words Without Borders, Marguerite Feitlowitz writes on teaching the art of literary translation. As she puts it, “Bringing texts from one place to another, from one tongue, context, history, and human body to another, is itself a political act. We can tell the history of the world through the history of when major texts have been translated—and where, why, and by whom.” Pair with this Millions piece on literary translators at work.
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Picture Perfect
We pick photos to accompany writing all the time, but what do writers think about photography? At The New Yorker, photo editor Jessie Wender asked eight writers, from Jennifer Egan to Sasha Frere-Jones, what their favorite photographs are.
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