Most institutions that become an essential part of a local culture build up a collection of curios over the years. They collect as much evidence as they can of their proximity to major events. At the New York Public Library, for example, you can find a letter opener whose handle is made from the paw of Charles Dickens’s dead cat. (h/t The Paris Review Daily)
“Author-hot” has historically been a pejorative phrase, or at best faint praise, but Canteen is looking to change that with its “Hot Authors” project, “reinterpreting and reappropriating fashion magazine glam” for the Moleskine set. The redesigned Canteen website also features an interview with yours truly – not, I’m sad to report, included in the “Hot Authors” package.
Michael Lewis’s last book made our Hall of Fame. Now he’s back with a new book that widens his focus to the financial dramas around the world with Boomerang: Travels in the New Third World. Also out this week, Jose Saramago’s posthumously published Cain, Helen DeWitt’s long-awaited Lightning Rods, Michael Ondaatje’s The Cat’s Table (reviewed here), Anne Enright’s The Forgotten Waltz, Alice Hoffman’s The Dovekeepers, Jim Harrison’s The Great Leader, and Booker shortlisted The Sense of an Ending by Julian Barnes. Also out: From the master of “molecular gastronomy,” The Family Meal: Home Cooking with Ferran Adria and, as noted in our recent piece “What Ever Happened to the New Atheism?” The Magic of Reality by Richard Dawkins.
A while back, Frank Ocean alluded to the possibility of one day writing a novel. Asked by Guardian interviewer Rebecca Nicholson about his immediate plans following the success of his last album, Channel Orange, the musician replied, “I might just write a novel next.” The response seemed unserious. But now, in Jeff Himmelman’s long profile of Ocean for The New York Times Magazine, it appears the idea may have a bit more traction. “It’s fiction,” says Ocean. “And it’s about brothers.”