“Many writers write vexed introspection, or detail-oriented reporting, or counterintuitive cultural commentary, or lifestyle journalism. But so far only Didion has done all four in perfect synthesis, a prose that, at its best, can fire on every cylinder and work on multiple fields of the imagination at once.” In support of the Kickstarter project for the documentary on Joan Didion, We Tell Ourselves Stories in Order to Live, Nathan Heller looks back over Didion’s writing career, her “imaginatively seductive” nonfiction writing and her carefully constructed confessionalism in a piece for Vogue.
Didion’s Perfect Synthesis
Abandon All Carts
If you’ve read the Inferno, you’ve journeyed with Dante and Virgil to the ninth circle of Hell. At McSweeney’s, you can go grocery shopping with them. “Abandon all carts, ye who enter here.”
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Sam Lipsyte’s The Ask
At FiveChapters this week, you can read an excerpt of Sam Lipsyte’s forthcoming novel, The Ask.
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Snail Twitter
If you’re tired of only getting catalogs and bills in your mailbox, ask your friends to mail their tweets. For a month, Giles Turnbull corresponded with 15 of his Twitter followers by mail. “Tweeting by post made me appreciate the online and the offline. Brevity is a good thing, but there’s no reason we should only be brief on Twitter,” Turnbull writes for The Morning News. Pair with: Our roundup of literary Twitter’s first tweets.
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Gun Wizard
What do you call a genre that mixes westerns and fantasy novels? Damien Walter proposes the term “weird western.” In The Guardian, he runs down the history of the hybrid category, citing Joe Abercrombie’s Red Country and Molly Tanzer’s Vermillion as examples. Pair with Daniel Kalder on the Euro-Western.
Formative Pancakes
“Everything I learned about writing, I learned from watching people.” David Sedaris talks with The Rumpus about IHOP and his newly published collection of diary entries Theft by Finding.
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