“Many writers write vexed introspection, or detail-oriented reporting, or counterintuitive cultural commentary, or lifestyle journalism. But so far only Didion has done all four in perfect synthesis, a prose that, at its best, can fire on every cylinder and work on multiple fields of the imagination at once.” In support of the Kickstarter project for the documentary on Joan Didion, We Tell Ourselves Stories in Order to Live, Nathan Heller looks back over Didion’s writing career, her “imaginatively seductive” nonfiction writing and her carefully constructed confessionalism in a piece for Vogue.
Didion’s Perfect Synthesis
Drawing Autism
A recent Curiosity noted autistic British artist Stephen Wiltshire drawing the New York City skyline from memory. A new book Drawing Autism will collect the work of other autistic artists. Wiltshire chose not to be in the book because he didn't want to be seen as "just" an autistic artist. More from the book.
Kindle Jollies
Nicholson Baker has written the funniest piece yet about the Kindle. Ed initially takes umbrage (and gets comments from Baker and recants somewhat). YPTR weighs in as well.
Emily Gould and Tao Lin Make a Salad
Emily Gould awkwardly prepares a salad with Tao Lin in the latest installment of Cooking the Books. (via The Awl)
Tuesday New Release Day: Bennett; Dermansky; Jarrar; Witt; Weiner; Oliver; Atwood
Out this week: The Mothers by Brit Bennett; The Red Car by Marcy Dermansky; Him, Me, Muhammad Ali by Randa Jarrar; Future Sex by Emily Witt; Hungry Heart by Jennifer Weiner; Upstream by Mary Oliver; and Hag-Seed by Margaret Atwood. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
They Really Get Me
For an invigorating jolt of proletarian/genetic bitterness, The New York Times has a "New Victorian" fashion slide show, featuring a selection of gentlemen with admirable bone structure, all in thousand-dollar cutaway coats and plaids and things.
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Between Life and Death
Over at the Public Domain Review, Sharon Ruston examines the scientific background to Mary Shelley’s Frankenstein, from resuscitation to galvanism.
One Does Not Try
“I preach the radio. I do not preach thinking you must know what you are about. Faulkner had good drugs and a big radio. I recall having heard my own little radio at times. It is rare, yes, and it is, now, rarer. But you are young and have your juice, you’re still full of poop, which is the necessary requisite to tuning the radio. Got to be some poop out there, on the airwaves, or in there, in you, for you to tune it in. Cherish the poop you are full of, and work on excreting it with sound fundamentals. End of tantric wisdom.” The ever-entertaining Padgett Powell was interviewed over at LitHub for the release of his new book, Cries for Help, Various.
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