“Literature offers a way of framing, or reckoning with, the chaos of a universe we can never truly know.” The LA Times interviewed Denis Johnson about his new novel The Laughing Monsters, an excerpt of which can be read online here.
“I am going to propose: The rigmarole is truly underexploited. Everyone should write a ‘Conversations with Drummond’ about themselves and about every opinion-spouting person they know. For the historical record. For revenge. For the children. Especially if you’re well-known, or right in the middle of the action, or both.” Anthony Madrid for The Paris Review looks at Ben Jonson, William Drummond, and the rigamarole.
The essay is more than just a literary genre but a lifestyle, and it’s dominating American society, Christy Wampole argues. “The genre and its spirit provide an alternative to the dogmatic thinking that dominates much of social and political life in contemporary America,” she writes.
On Thursday, the fiction writer Mo Yan won the Nobel Prize for Literature, which marks the first time a Chinese writer has won the prestigious award. Lauded for his command of “hallucinatory realism,” Yan (whose pen name translates to “not talking” in Mandarin) has drawn comparisons to Faulkner for the complexity of his fictional settings. Back in 2005, John Updike published his thoughts on the writer.