Calling a book “the spiritual prequel to The Road” is a great way to signal its command of dystopian tropes. It’s what Gabe Durham wrote about Maxwell Neely-Cohen’s recent YA novel Echo of the Boom. At The Rumpus, Durham interviews Neely-Cohen, who describes how he tried to give a metafictional bent to the novel. Related: we asked high school students to pick their favorite YA books of 2013.
“Their staff is always sharp, and they seem to cover politics more robustly now. But through the 1960s there were so many political trends they ignored, pretending to be focused on craft and art for art’s sake.” An interview with Joel Whitney about his forthcoming book Finks: How the C.I.A. Tricked the World’s Best Writers, which tells the story of how the intelligence agency helped found The Paris Review. With this backstory in mind, you may read the journal’s author interviews in an entirely new way.
“A must-read for: anyone who has grappled with mood disorders/And: anyone interested in the nature of creativity/And: anyone interested in insightful stories told with honesty, pathos, and wit.” On Ellen Forney’s Marbles: Mania, Depression, Michaelangelo & Me.
See you later, creepy Amazon drones — delivery dudes on mopeds are the future! There is a new service called NearSt. which is offering book delivery within the hour. So far the service is only available in London, but with over forty London bookshops already utilizing the service, it seems poised to take over at least a small corner of the market.
At Slate, The Pulitzer win for Tinkers continues to shine a light on what’s broken about the publishing industry right now. “Instead of relying on the Great Chain of Publishing… Tinkers’ chain jumped several links to get to the Pulitzer.” (Thanks, Craig)