Recommended Reading: Nicholas Rombes on Joan Didion’s Play It As It Lays. You could also read S.J. Culver on discovering her work when he was young.
As It Comes
Teju’s Twitter Takeover
Last week, we discussed how Teju Cole has mastered literary Twitter, and that was before we knew that he tweeted a 4,000-word essay on immigration. "A Piece of the Wall" is composed of 250 tweets written during a seven-hour period and starts with: "I hear the sound of faint bells in the distance. It is like a sound in a dream, or the jingling at the beginning of a Christmas song."
“Qualities other than introspection”
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Untangle the Knot
Over at The New York Times, Citizen author Claudia Rankine reviews Teju Cole’s new essay collection. As she puts it, “Cole attempts to untangle the knot of who or what belongs to us and to whom or what do we belong as artists, thinkers and, finally, human beings.” Pair with this Millions interview with Cole.
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Decadence and Poetry
"To say that late Victorian poetry is bleak would be akin to remarking that Wilkie Collins had a decent knack for plotting a novel. These poems are freighted with Gothic overtones, and it is not uncommon for some supernatural phenomenon to intrude upon what had started out as a seemingly harmless quatrain. We often encounter Death himself—or the Devil—who is something of a literary celebrity for the decadent poets. But what marks the best of these poems is that the outré is in service to something that we can think of as more desperate, and, wouldn’t you know, human." Over at The Boston Review, an online-only essay looking at the peculiarities of Victorian decadent poetry.
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What Katy Meant
Recommended Reading: Lindsay Palka's essay on the children's book What Katy Did.
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Best Title or Best Title?
According to the New York Times, a "vigilante copy editor" has hit the sculpture park of the Pratt Institute.
“We call it Book”
Old but still as timely as ever: The latest and greatest in cutting-edge reading technology from Penny Arcade.