Recommended Reading: Nicholas Rombes on Joan Didion’s Play It As It Lays. You could also read S.J. Culver on discovering her work when he was young.
As It Comes
Reclusive Reading
Emily Dickinson didn’t get out much, so why should we have to in order to read her work? Her open access manuscripts, letters, and envelope scribbles are now available online in the Emily Dickinson Archive. But now there’s controversy over who is the rightful owner of her manuscripts and who should shape the archives — Harvard or Amherst?
Peter Carey Point-Counterpoint
Contrasting takes on Peter Carey‘s Parrot & Olivier in America, from Open Letters Monthly and…er, The Onion.
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Love Letter to Technology
The last book that Michelle Vider loved was our own Emily St. John Mandel’s Station Eleven, which was a finalist for the 2014 National Book Award. Claire Cameron’s interview with Mandel from The Millions is a nice complement.
Accepting Rejection
Rejection is a part of growth. Kim Liao argues why writers should aim for one hundred rejections a year. To prepare for your one hundred rejections, let literary magazine editors tell you their thoughts on rejection letters.
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The Atheist Had It Coming
Has something dreadful happened at the bus stop? Are you running late for the revival? These are a few of the many ways to tell whether or not you’re actually living inside of a short story by Flannery O’Connor.
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Pump the longreads at SXSW
Our own founding editor C. Max Magee is teaming up with our friends at The Bygone Bureau and The Morning News to give a panel discussion at SXSW Interactive 2013 on the future of independent longform writing on the web. If you wanna see the panel make it to Austin, head over the SXSW site to give us your vote. You can register to vote here.
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