Recommended reading: Brandon Ambrosino interviews Justin Martin, author of Rebel Souls: Walt Whitman and America’s First Bohemians, about, well, Walt Whitman and America’s first bohemians.
“What does it even mean to say that I am experiencing my life in a jumpy, random sort of manner? Each instant of my experience is the experience, whatever its temporal relation to other experiences. So long as the memories are consistent, what meaning can be attached to the claim that my life happens in a jumbled sequence?” Physicist Paul Davies on why you can’t remember your future.
New this week is George R.R. Martin’s latest Song of Ice and Fire installment, A Dance with Dragons. Also hitting shelves: Donald Ray Pollock’s The Devil All the Time and Dana Spiotta’s Stone Arabia (Don’t miss our preview with tons more upcoming books.) Jesse Ball, whose The Curfew has just come out, also has a new collection, The Village on Horseback. Jennifer Weiner’s new book, Then Came You, is out, as is the first issue of McSweeney’s new food magazine, Lucky Peach. Out in paperback: Allegra Goodman’s The Cookbook Collector.
“I interrupted the making of this essay three times to record unrelated thoughts in my diary.” Our own Bruna Dantas Lobato writes at Ploughshares on record-keeping. For more of her writing, check out her piece on Juan Goytisolo’s 1970 novel Count Julian for The Millions.
Harper Lee’s estate will no longer allow publication of the mass-market paperback edition of To Kill a Mockingbird, which was popular with schools. Over at The New Republic, Alex Shephard writes that “Without a mass-market option, schools will likely be forced to pay higher prices for bulk orders of the trade paperback edition—and given the perilous state of many school budgets, that could very easily lead to it being assigned in fewer schools.” For more about the author’s legacy, read Robert Rea’s Millions essay on his travels to her home.