For the most part, your average writer’s retreat is a pretty cushy place. Its amenities are designed to let its guests turn their energies to the difficulties of artistic work. At The Paris Review Daily, Rex Weiner writes a dispatch from a different sort of retreat — a haunted house for writers in Mexico. To read about a more traditional experience, check out our own Michael Bourne on his time at Bread Loaf.
American readers can now get their hands on the latest from Martin Amis, Lionel Asbo: State of England. Also out this week: The Devil in Silver by Victor LaValle, Paul Auster’s memoir Winter Journal, Dan Fesperman’s spy novel The Double Game, and a pair of debuts, Hanna Pylväinen’s We Sinners and Amanda Coplin’s The Orchardist.
Back in 2011, our founder C. Max Magee pointed to the fan art of Chris Ayers, who was inspired by DFW’s Infinite Jest. Now, Ayers has a new series, drawn from Margaret Atwood’s MaddAdam trilogy, that illustrates the corporate horrors of the trilogy’s fictional dystopia. Pair with Vanessa Blakeslee on Atwood’s In Other Worlds.
Speaking of festivals, recaps of last weekend’s Los Angeles Times Festival of Books are up at Jacket Copy. Rafael Yglesias took home the top fiction prize for his novel, A Happy Marriage.
David Remnick’s biography of President Obama, The Bridge is out. (The Times explained how Remnick finds time to run the New Yorker and write a 700-page biography of a sitting president.) Also new: Another chronicle of the collapse, The End of Wall Street by talented financial journalist Roger Lowenstein; Nobel laureate Jose Saramago’s “blog book” The Notebook; another in the posthumously published oeuvre of Irène Némirovsky, Dimanche and Other Stories; the latest from A.L. Kennedy, What Becomes; and Tom Rachman’s touted debut The Imperfectionists.
Recommended Reading: Kate Sweeney explores the business of environmentally-minded deep sea burial, which is offered by companies such as Georgia’s Eternal Reefs.