This week in book-to-film adaptation news: a new version of 1984 is in the works, with Paul Greengrass signed on to direct and a screenplay by James Graham.
A New Adaptation of 1984
Mo Yan, Euphemism, and Translated Prose
Anna Sun profiles the work of Mo Yan, the latest winner of the Nobel Prize for literature. While Sun acknowledges Yan’s popularity and prolific output, she also notes that what the Nobel committee referred to as “hallucinatory prose” is more often than not “repetitive, predictable, coarse, and mostly devoid of aesthetic value.” Indeed, Sun writes, “the English translations of Mo Yan’s novels … are in fact superior to the original.” [Ed. Note: It appears the Kenyon Review link was briefly not working; this Google cache may work better — h/t Dan Farrely]
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New Murakami in the Pipeline
It’s being reported that Haruki Murakami will have a new novel out in Japan in April, though, based on prior publication schedules, it will likely be quite a bit longer before an English translation is published.
A Poet in Need
Friends, former students and admirers are rallying around poet Dean Young. Young, who has taught at the University of Iowa Writers’ Workshop and a number of other MFA programs, is in need of a heart transplant, and fellow poet Tony Hoagland has put out a call for help. (Thanks Arna)
The Wrath of the Translator
The English Illiad, compared: a look at the translations of Robert Fagles, Anthony Verity, Stephen Mitchell, and more.
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Tuesday New Release Day: Pessl, Shomer, McBride, Keneally, Banville/Black
New this week: The Good Lord Bird by James McBride; Night Film by Marisha Pessl; The Twelve Rooms of the Nile by Enid Shomer; The Daughters of Mars by Thomas Keneally; and Holy Orders, a new Quirke novel by John Banville/Benjamin Black. For more on these and other upcoming releases, check out our Great 2013 Second-Half Book Preview.
Les Deux Femmes Sur le Front
For a female war photographer and novelist who’s dealt with pink covers on her books, male colleagues who dismiss the Orange Prize and a publisher who titles her book Shutterbabe, it’s pretty rich to hear that our world is apparently “post-feminist.”
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