Laila Lalami recently wrote about “How History Becomes Story,” but writing an interesting and compelling history book sans fiction has its own challenges. Thankfully S.C. Gwynne offers some tips in a piece for the History News Network, including the hard-hitting reminder that “it is your job to force your facts into narrative form.”
“For that reason, it’s hard to imagine coming to this book for the first time, and experiencing it in the same way as that college senior back in 2003.” The Outline on the 15-year anniversary of Chuck Klosterman‘s Sex, Drugs, and Cocoa Puffs. (Read our review of the king of pop culture’s newest book.)
In a By Heart piece for The Atlantic, Harriet Lane writes about the “bleak precise nature” of Philip Larkin‘s poetry (what Stephen Akey called “The Poetry of Mental Unhealth” in a Millions review) and about the power inherent in writing fiction. “In my everyday life I have no control, really: who does? But on paper, I hold all the cards. Fiction provides you with a way to shape a world, to exert the kind of power and agency our real lives so often lack.”
John Green, Tina Fey, and “a book-swapping/speed-dating cocktail hour”: BookExpo America has taken over Manhattan’s Javitz Center, and if you live anywhere near New York we think you might want to check out the public BookCon event this Saturday. We’re not saying you’ll meet the love of your life, but maybe you’ll win the Hunger Games trivia contest.