“What’s the point of reading literature?” Electric Literature shares a video that offers a compelling 4-point answer.
What’s the point?
‘Confessional Writing’ Is a Tired Line of Sexist Horseshit
“If I’m writing something about my period, it doesn’t mean that I’m not an intellectual. I can write an intellectual essay about my navel or a whole book about my period.” The Literary Hub has a transcript of Red Ink’s panel discussion on literary misfits, including Marcy Dermansky, Melissa Febos, Michele Filgate, Sarah Gerard, Emily Raboteau, and Lidia Yuknavitch. And we will never, ever miss a chance to mention Yuknavitch’s essay in our own pages about grief.
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Rejecting Tidy Narratives
For Lenny, Lidia Yuknavitch talks about suffering, art, and her path to writing. “I believe in art the way other people believe in God,” she says. For more of her writing, check out her Millions essay on grief that births art.
Camus’ Web
Have you ever wondered what Charlotte’s Web would be like if Albert Camus joined the farm creatures? Well, someone wrote it for you at McSweeney’s. Pair with our review of Camus’ American Journals.
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Fork It Over
It has become increasingly common for publications to charge a fee upon submitting work. According to The Atlantic, this practice spells disaster for the writing community at every level. Quit paying out to big journals and just charge yourself the fee instead–here’s a piece on the efficacy of self-publishing.
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Can Cash Money be Caro’s Next Project?
Eric Brightwell has written a great primer on “the independent years” of Cash Money Records (ca. 1991-1998). Now that the outfit has its own publishing arm, Cash Money Content, I suggest you brush up.
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The Science of Poetry
The relationship between poetry and science is more inextricably (and historically) linked than you might imagine: “In the late 1700s, scientific treatises were written in poetic form because poetry was considered the language of intellect and the future.”
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Words on the street.
Ian Crouch on the place of real estate in the novel, and its tenedency to “reinforce our modern sense that the appearance of our houses, and the taste and class that they represent, are among the defining elements of modern selfhood.”