“What’s the point of reading literature?” Electric Literature shares a video that offers a compelling 4-point answer.
What’s the point?
Meet Ms. Marvel
In an effort to diversify the comics industry, Marvel’s latest superhero isn’t another white man in a cape but a teenage Muslim girl living in Jersey City. Kamala Khan, alias Ms. Marvel, can change shape and will fight villains and her parents’ expectations when the series debuts in February. Pair with: Matt Madden’s history of American comics in six panels.
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A Liquid State
“Thus it is our [feminists’] historical task … to define what we call oppression in materialist terms, to make it evident that women are a class, which is to say that the category ‘woman’ as well as the category ‘man’ are political and economic categories, not eternal ones.” This essay in remembrance of Alexis Arquette touches on everything from VIP guest lists to feminist theorist Monique Wittig.
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For Her
Leave it to Roxane Gay to come up with a novel format for an essay on the feminist novel. In the new issue of Dissent, she presents eleven theses on the topic, including references to Toni Morrison’s Beloved, Erica Jong’s Fear of Flying, and Jeanette Winterson’s Oranges Are Not the Only Fruit. Sample quote: “Not every novel that concerns itself with the lives of women is a feminist novel. Fifty Shades of Grey is not a feminist novel.” You could also read our own Edan Lepucki on the problem with feminist anthems.
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Why A New Madame Bovary?
Lydia Davis, whose new translation of Madame Bovary comes out September 23, blogs at The Paris Review Daily about why we need yet another translation of Flaubert.
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Mr. Gay Syria
“We wanted to show a side of the migration crisis that is rarely portrayed, steering away from the depictions of nameless masses by certain media and politicians,” write the producers of Mr. Gay Syria, a documentary about Syrian refugees and their quest to shine a spotlight on the community of “Syrians who had to run away from war and homophobia,” and who have relocated to Turkey, “a place that did not accept them either.” Now, after two years of work, the filmmakers are raising money to fund post-production and community outreach. You can donate here, and visit their Facebook or Twitter pages for more information.
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