We’ve been following the YA debate quite attentively – I wrote about it just last week – but Sarah Burnes‘s addition to the conversation, a blog post for The Paris Review, is one of the most eloquent I’ve read. In defense of reading YA fiction as a “grown-up” she writes, “The binary between children’s and adult fiction is a false one, based on a limited conception of the self. I have not ceased to be the person I was when I was an adolescent; in fact, to think so seems to me like a kind of dissociation from a crucial aspect of one’s self. And the critic should be concerned with what is good and what is bad, what is art and what is not—not with what’s ‘appropriate.'”
What’s “Appropriate”
“Her prints certainly have muscle, and a lot of it.”
Flannery O’Connor: The Cartoons, a collection of one-panel comic prints made by Flannery O’Connor during her time in college, is due out later this week. Meanwhile, Barry Moser exhibits a few of the highlights.
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The First Family of Letters
Want to become a successful writer? Get adopted by Stephen King. With five fiction writers to their name — Stephen, Tabitha King, Joe Hill, Owen King, and his wife, Kelly Braffet — the Kings have turned writing into a family business, according to The New York Times Magazine profile on the clan. Pair with: the accompanying article on “Easter eggs” found in the family’s fiction.
Candlepin Bowling with Elizabeth McCracken
Elizabeth McCracken discusses her new novel, Bowlaway, with Ann Patchett in a new interview for Patchett's bookstore, Parnassus Books.
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Rumspringa
“Could there be anything better, or worse, than Amish romance novels?” Let’s find out.
Gwendolyn Brooks’s Archives Headed to Urbana-Champaign
The literary archives of Gwendolyn Brooks – the first African-American to win a Pulitzer Prize – are headed to the University of Illinois Rare Book and Manuscript Library. The haul amounts to more than “150 boxes stuffed with manuscripts, drafts, revisions, correspondence, scrapbooks, clippings, homemade chapbooks in which Brooks neatly handwrote her earliest (unpublished) poems, and heavy bronze awards ensconced in velvet-lined boxes collected later in her career.”
The Tactile Comic Book
A designer from Copenhagen, Philipp Meyer (not the novelist), has created the first comic book for the blind. “Most of the tactile material that is available for blind people is very information dense. It’s always about information and not often about art,” he says.
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