We’ve been following the YA debate quite attentively – I wrote about it just last week – but Sarah Burnes‘s addition to the conversation, a blog post for The Paris Review, is one of the most eloquent I’ve read. In defense of reading YA fiction as a “grown-up” she writes, “The binary between children’s and adult fiction is a false one, based on a limited conception of the self. I have not ceased to be the person I was when I was an adolescent; in fact, to think so seems to me like a kind of dissociation from a crucial aspect of one’s self. And the critic should be concerned with what is good and what is bad, what is art and what is not—not with what’s ‘appropriate.'”
What’s “Appropriate”
The Work of a Good Woman
As our own Nick Moran reported two weeks ago, Alice Munro has decided to retire from writing. Herewith, a timely profile of the author, courtesy of the Times. (You could also read Ben Dolnick on her last book of stories, Dear Life.)
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Joke’s On You
"How many male novelists does it take to screw in a lightbulb?" At The Toast, Mallory Ortberg writes some great jokes to use at your next cocktail party.
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The Graveyard Movie
Neil Gaiman’s 2009 Newbery medal winner, The Graveyard Book, was originally supposed to be adapted into an animated film. Now, however, it looks like Ron Howard might take the project’s reins and shoot it in live action.
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In Case You Didn’t Know
In The Globe and Mail, Nick Mount reviews How to Read Literature, a new book by Terry Eagleton that you can file next to Reading Like a Writer and How Fiction Works.
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RIP Doris Lessing
Nobel laureate Doris Lessing passed away last night at the age of 94. The author of The Grass is Singing, The Fifth Child and The Golden Notebook took home the Nobel in 2007 for "subjecting a divided civilisation to scrutiny," in the words of the prize committee.