We’ve been following the YA debate quite attentively – I wrote about it just last week – but Sarah Burnes‘s addition to the conversation, a blog post for The Paris Review, is one of the most eloquent I’ve read. In defense of reading YA fiction as a “grown-up” she writes, “The binary between children’s and adult fiction is a false one, based on a limited conception of the self. I have not ceased to be the person I was when I was an adolescent; in fact, to think so seems to me like a kind of dissociation from a crucial aspect of one’s self. And the critic should be concerned with what is good and what is bad, what is art and what is not—not with what’s ‘appropriate.'”
What’s “Appropriate”
“The only option is to participate.”
The Missouri Review interview with Jessa Crispin, founder of Bookslut. If you've yet to stumble upon the decade old literary blog, you might want to start with this recent post from Kevin Frazier on Edith Wharton and Julian Barnes. Or this treat from the archives about Monica McFawn Robinson trying to construct an undergraduate course syllabus on love.
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Comparing Anna Karenina’s Suicide to Mets Fandom? Sounds Right to Me.
You might be surprised to learn that Paul Auster is more concerned with the New York Mets than he is with his recently released memoir, Winter Journal. “Baseball is life,” says the Brooklyn writer.
Genuinely Weird
Jeff Vandermeer's Southern Reach trilogy: a genuinely weird work of ecological fiction, a hyper-object, or a strangely beautiful "glimpse of a whole that’s, by its nature, unknowable"? Joshua Rothman argues for all three in a review for The New Yorker. For more from Vandermeer himself, check out his Millions interview with Richard House, author of The Kills.
Mathias Svalina New Release
Octopus Magazine and Octopus Books co-editor Mathias Svalina's latest book I Am A Very Productive Entrepreneur was released last month. You can read an excerpt here, or you can check out his short story "The Pregnant Couple" on Matchbook's website.
The Dangers of Overwriting
"I am not at all sure—convinced, certain, persuaded—that creative-writing courses are a good idea unless they prevent people from writing sentences like this one, where adjectives—useful, helpful, intensely descriptive words—are stacked upon one another as Pelion used to be piled upon Ossa." Alexander McCall Smith on the dangers of overwriting.
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Everyone has his problems
With a deep look at the history of pronouns and a close reading of the lake has no saint, Dana Levin provides a thoughtful look at the everyday problems caused by "he," "she," and "they".
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The legends and the largely forgotten
The National Book Foundation has an online exhibit of the runners up for the award since its inception in 1950. That's a lot of titles, so you might like to let John Williams be your guide.