A couple of weeks ago, I pointed readers to the trailer for Olive Kitteridge, the new HBO show based on the Pulitzer-winning novel by Year in Reading alum Elizabeth Strout. In this week’s New Yorker, Emily Nussbaum sizes up the new series, describing it as a case study in bringing a work of fiction to the screen. “In the course of four hours, the miniseries casts a West Coast spell on scenes of Yankee repression,” she writes.
“I take to heart Percival Everett’s point that all writing begins as experiment. Experiments are hypo/theses; wagers; fermentations or useless admixtures; mud pies and blood pies.” Miranda Mellis talks with HTMLGiant’s Christopher Higgs in the next installment of Higgs's essential “What Is Experimental Literature?” interview series. It’s worth perusing the the back catalog if you missed the first three, with the fabulous Debra Di Blasi, Danielle Dutton, and Bhanu Kapil.
“Lovecraft Country doesn't just race along, it tears, demanding that you keep turning its pages without interruption. I read the second half of the book while walking in my neighborhood, holding the book with one hand and clutching bags of groceries in the other, and then finishing up in bed with a small LED lamp after my wife had fallen asleep. It's one of those books.” Cory Doctorow reviews Matt Ruff’s Lovecraft Country at BoingBoing.
Thanks to Jane Friedman, the Virginia Quarterly Review is really blossoming of late when it comes to social media and increased web presence. Case in point: these once-a-week poem posters on their Facebook page. Extra case in point: the sort-of-not-so-secret Tumblr they’re working on!