“I rather like the idea of just using a few brushstrokes to create a whole world. And, of course, with Twitter you do that, you can tell a very big story in a few lines.” Books and Arts Daily talks with Alexander McCall Smith about the new art of Twitter fiction. Pair with the full text of David Mitchell‘s Twitter story “The Right Sort,” exclusively on The Millions.
Back in July, Patricia Lockwood lit up the Internet with “Rape Joke,” a harrowing poem. Now, at The Rumpus, Lauren O’Neal interviews Lockwood, who talks about “Rape Joke,” the subsequent reaction and her 2012 book, Balloon Pop Outlaw Black. You could also read Elisa Gabbert on Lockwood’s Twitter followers.
“What is the value of a book cover if fewer and fewer people shop at bookstores?” Nicholas Blechman wonders about the purpose of the book cover at The New York Times Book Review, but he also rounds up some of the best covers of 2014, including the design for Eimear McBride‘s A Girl is A Half-Formed Thing (Millions review here, McBride’s “Year in Reading” here).
I have a short story in the latest issue of Avery, a young literary magazine I’ve written about before. Avery 4 also includes fiction by Hannah Tinti, Kevin Canty, Rumaan Alam, Samar Fitzgerald, Sophie Rosenblum, Scott Garson, Callie Collins, James Iredell, Jessica Breheny, Sean Walsh, Anna Villegas, and Michael Bourdaghs. It’s wonderful to have found my story such a sleek and beautiful home, filled with so much good company.Here’s the opening of my tale, called “A Love to Calm the Body”: My grandmother fell in love with her doctor. She liked the way he scrubbed his hands. He also washed his forearms, held them wet in front of his body before taking them to the towel. My grandmother had a weekly appointment; she’d been diagnosed with Hysteria – an excess of emotion, a deep feminine sadness. This was in 1899, when my grandmother was twenty-three, two years married. My mother was only an idea then, hovering at the edges. I wasn’t anything at all.Want to read more? You can order the issue online here.
Who has a bigger vocabulary: Shakespeare or André 3000? It’s actually Outkast. Data scientist Matt Daniels created an infographic that charts 85 rappers’ unique vocabulary in their first 35,000 lyrics. Outkast uses 5,212 unique words; whereas, Shakespeare only uses 5,170. But Aesop Rock beats the Bard by more than 2,000 words with a count of 7,392 unique words.