Out this week: The Immortal Evening by Stanley Plumly; Last Winter We Parted by Fuminori Nakamura; Bathing the Lion by Jonathan Carroll; Sometimes the Wolf by Urban Waite; Splitting an Order by the former Poet Laureate Ted Kooser; Limonov by Emmanuel Carrère; and The Heart Is Strange by John Berryman, which I wrote about as part of our Great Second-half 2014 Book Preview.
Tuesday New Release Day: Plumly; Nakamura; Carroll; Waite; Kooser; Carrère; Berryman
Extremely Loud and Incredibly Far
“I worry that the closer the world gets to our fingertips, the further it gets from our hearts.” Jonathan Safran Foer believes that technology is making us more detached. Pair with The New Yorker’s essay on netiquette.
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Tochi Onyebuchi on Writing to Abate the Terror
Tochi Onyebuchi reflects on his role as a black writer during the protests against police brutality and the killing of black men and women.
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The Best of the Internet
The Bygone Bureau asked a whole heap of people to write for their annual “Best of the Internet” post, and I was one of them. Come on over to see what I have to say about Ted Berrigan, a Twitter robot, and a certain type of found poetry.
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Summer Comics Recommendations
July is the month of revolutions and upheavals, as Tom Nissley has asserted, so maybe you’ll want to change gears from reading literature and literary non-fiction to instead investigate some of the summer’s best comics. On this journey, Kevin Nguyen will be your guide.
Problem Solving
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Gossip, Gossip Everywhere
This essay on the proliferation of gossip in journalism is adapted from Joseph Epstein’s Gossip: The Untrivial Pursuit. In it, Epstein discusses the problem of “how straight-up, no-apologies public gossip has infected standard, or what once might have been called respectable, journalism.”
Labyrinths
Recommended recommendations: “Five books that are also labyrinths,” including Italo Calvino‘s The Castle of Crossed Destinies and Lily Hoang‘s Changing.
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Boys Might Cry
Look, we get it. You’re as sad as the rest of us that Frank Ocean’s new album didn’t actually drop on Friday. Luckily, there’s a fantastic essay over at The Atlantic which examines Ocean in the context of Harper Lee and the myth of the reclusive artist: “Channel Orange, like Mockingbird, is an unapologetic masterpiece for people defining themselves at the intersection of lived experience and possibility.”
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