Out this week: The Immortal Evening by Stanley Plumly; Last Winter We Parted by Fuminori Nakamura; Bathing the Lion by Jonathan Carroll; Sometimes the Wolf by Urban Waite; Splitting an Order by the former Poet Laureate Ted Kooser; Limonov by Emmanuel Carrère; and The Heart Is Strange by John Berryman, which I wrote about as part of our Great Second-half 2014 Book Preview.
Andrew Phelps interviews Sarah Wolzin, director of MIT’s new Open Documentary Lab, which “brings technologists, storytellers, and scholars together to advance the new arts of documentary.” The Lab, according to Phelps, is “part think tank, part incubator for filmmakers and hackers.”
“If I’m writing something about my period, it doesn’t mean that I’m not an intellectual. I can write an intellectual essay about my navel or a whole book about my period.” The Literary Hub has a transcript of Red Ink’s panel discussion on literary misfits, including Marcy Dermansky, Melissa Febos, Michele Filgate, Sarah Gerard, Emily Raboteau, and Lidia Yuknavitch. And we will never, ever miss a chance to mention Yuknavitch’s essay in our own pages about grief.