Out this week: The Immortal Evening by Stanley Plumly; Last Winter We Parted by Fuminori Nakamura; Bathing the Lion by Jonathan Carroll; Sometimes the Wolf by Urban Waite; Splitting an Order by the former Poet Laureate Ted Kooser; Limonov by Emmanuel Carrère; and The Heart Is Strange by John Berryman, which I wrote about as part of our Great Second-half 2014 Book Preview.
Tuesday New Release Day: Plumly; Nakamura; Carroll; Waite; Kooser; Carrère; Berryman
Awarding Ageism
“Make no mistake: if you run a prize, a “best of” list, a residency, with age guidelines you can’t fully justify then, however otherwise diverse your awardees, you and your organisation are consolidating racism, sexism, class and gender discrimination.” Joanna Walsh for The Guardian arguing that, by focusing on youth, literary awards and honors tend to reward “those most likely to have money, security, contacts, confidence.” See also our Post-40 Bloomers series, including interviews most recently with Lidia Yuknavitch and Cole Lavalais.
Populist Is Popular
“The demagogic spirit of the ‘radio priest’ Father Charles Coughlin and the ‘minister of hate’ Gerald L.K. Smith has been reborn in the candidacy of Donald Trump, just as the exhortations of the Louisiana boss and rabble-rouser Huey Long, who declared war on ‘the superrich’ and proposed a ‘Share Our Wealth Society,’ all but predicted Bernie Sanders’s attack on ‘the billionaire class.'” Examining what political books can tell us about the election season with Sam Tanenhaus at The New York Times.
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Morgan Jerkins on Exposing History’s Omissions
Morgan Jerkins reflects on the importance of researching and telling her family's story, a project she set off on for her book, Wandering in Strange Lands.
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On the Road with Hurston and Hughes
Yuval Taylor tells the story of a fortuitous road trip, on which Zora Neale Hurston drove Langston Hughes from Mobile to Tuskegee.
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New Stoppard on the Way
A new Tom Stoppard play entitled “The Hard Problem” will open next January at the UK’s Dorfman Theatre. The production will be Stoppard’s first new play since “Rock N’ Roll” in 2006.
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