Out this week: The Immortal Evening by Stanley Plumly; Last Winter We Parted by Fuminori Nakamura; Bathing the Lion by Jonathan Carroll; Sometimes the Wolf by Urban Waite; Splitting an Order by the former Poet Laureate Ted Kooser; Limonov by Emmanuel Carrère; and The Heart Is Strange by John Berryman, which I wrote about as part of our Great Second-half 2014 Book Preview.
Tuesday New Release Day: Plumly; Nakamura; Carroll; Waite; Kooser; Carrère; Berryman
Force Feeding
“I am uncomfortable in my role as witness.” Nehal El-Hadi writes for The New Inquiry about the online spectacle of black death, exploring what “Black thanatosensitive” user experience design might look like. And ICYMI: our own Ismail Muhammad on Frank Ocean and depictions of the black male body.
Whoreallyknows?
“There are two extreme views about punctuation … the first is that you don’t actually need it because it’s perfectly possible to write down what you want to say without any punctuation marks or capital letters and people can still read it youdontevenneedspacesbetweenwordsreally. The second view is that punctuation is essential, not only to avoid ambiguity but also because it ‘shows our identity as educated people.’” Here is Adrienne Raphel from The New Yorker with a history of punctuation in the internet age.
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Bulletproof
“When a female politician’s worst crime is to be unlikeable and uncompassionate, how much rationality and coldness is acceptable for women intellectuals and artists? Just how tough is tough enough?”
Oyster Pirates
This week in book-related infographics: “Unusual Jobs of Famous Writers,” from Chuck Palahniuk (diesel mechanic) to Jack London (oyster pirate).
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Jacqueline Woodson on the Joys of Reading Slowly
In a TED talk dedicated to taking the time to appreciate stories, Jacqueline Woodson extols the virtues of reading slowly.
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Renowned Cuban Poet Resigns from Nation’s Association of Writers and Artists
Rafael Alcides Perez, one of Cuba’s most renowned poets and public intellectuals, has resigned from the Association of Cuban Writers and Artists because of “government restrictions he is being subjected to,” reports the Havana Times. You can read some of his work (in Spanish) over here, here, and here.
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