Slang, as readers of Shakespeare know, affects the development of language as much as any genus of terminology. At Salon, Jonathon Green writes about the strange history of English slang, as part of an excerpt from his new book, The Vulgar Tongue. You could also read our own Michael Bourne on the use of “like” in modern English.
“War happens when words no longer work. Yet war is declared at the very point when words are at their most powerful. It’s an odd kind of paradox. In a time of war, the familiar words of your own language can become even more significant, as language is linked to the idea of home.” At JSTOR Daily, linguist Chi Luu looks at trauma and language loss.
No one knows quite how to categorize Max Blecher’s Adventures in Immediate Unreality, in part because it has elements of a novel, a memoir and a long poem. The early 20th century Romanian writer chronicled his own slow death and the effect it had on his senses. At The Paris Review Daily, Andrei Codrescu writes about a reissue of the book.
A new Hemingway App promises to trim the fat from your writing in a way that the Great Bearded One would’ve approved. The app uses various color codes to highlight writing written in the passive voice, writing that’s too hard to read, and also unnecessary adverbs or complex phrases. Sounds interesting enough, no? Well, the problem is that someone ran the Hemingway App on some actual Ernest Hemingway writing, and it turns out that Papa himself didn’t even write to the app’s standard.