“Writers are outsiders, and usually not by their own choosing. It’s why they’re writers. If they didn’t feel alienated from human experience, they wouldn’t feel so drawn to writing to make sense of their lives. It’s not the outsider’s facility for language that makes her a writer — many a student body president or homecoming queen can turn a phrase — but her ability to howl at the moon, on the page.” Karen Karbo writes for Powell’s Books’s blog about how much publishing has changed in the last 20-some years, but she also has a lot of great words about why people would want to deal with writing and publishing in the first place. Pair her smart essay with our own Nick Ripatrazone‘s piece “Practical Art: On Teaching the Business of Creative Writing.”
Over at Indian Country Today Media Network, read a statement in response to the controversy surrounding J.K. Rowling’s History of Magic in North America. “What matters here, folks, in this debate over J.K. Rowling’s latest work is the language society uses – the language that is still taught to kids in schools today about Native Americans and our spiritualities.”
“I can’t imagine how difficult it would be to jauntily denigrate 27.8 million—that’s the number of American workers who make less than $10.10 an hour,” yet, in The Morning News, a close reading of a few hundred letters to the editor about the minimum wage shows other Americans doing just that.
“There’s this sense of guilt that my writing career is going well because black people are being killed. I’ve reached a point where I don’t know if I have anything new to say. It’s the same narrative over and over.” Debut novelist Brit Bennett gets profiled for The New York Times about The Mothers, which we included in the list of October book releases we’re most excited about.