Recommended reading: An excerpt from Denis Johnson‘s upcoming novel, The Laughing Monsters, is available from Work in Progress.
The Laughing Monsters Excerpt
Dreaming and Writing
Maria Popova writes on Freud’s The Interpretations of Dreams, childhood, and the unconscious. For The Millions, Chloe Benjamin writes about fiction and dreaming.
Ottessa Moshfegh on Isolated Characters Growing Anywhere
Moshfegh discusses her 2018 book, My Year of Rest and Relaxation, and how it has taken on a life of its own during the pandemic.
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Bolaño At the Movies
Writing for Slant, Bill Weber reviews Il Futuro, a film is based on an as-yet-untranslated novella by Roberto Bolaño. Previously, JW McCormack expounded on the prospect of adapting the Chilean author’s masterpiece, 2666, into a motion picture.
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Why?
Jesse Eisenberg’s nephew has a few questions for him in The New Yorker. Listen to Eisenberg read a piece of his new book, Bream Gives Me Hiccups, and face existential doubt in Shouts and Murmurs.
On (Not) Being a Woman Writer
Lio Min on being an "Asian American woman" who writes about "Asian American women's issues"—and then no longer fitting into one of those identities.
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McCann: Reading, Writing and Soccer
The New York Times interviewed Colum McCann about what and who he’s reading, and if you’re looking for a book recommendation this piece is full of them. For more from McCann, be sure to check out his Year in Reading, our review of his novel TransAtlantic, and this reading of his soccer poem.
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Class Notes
This week, the Ransom Center at UT-Austin opened up its archives of the works of J.M. Coetzee. Because the Nobel Prize winner is an alumnus, he says it’s “a privilege to have graduated from being a teaching assistant at The University of Texas to being one of the authors whose papers are conserved here.” (Fun fact: his starting salary was $2,300 a year.)
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Oscar Wilde Was a Self-Plagiarist, Too
Oscar Wilde’s first and only office job was as the editor of The Woman’s World, a British fashion magazine. Millions contributor Kaya Genç tells the tale, and even explains how Wilde self-plagiarized, too.
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