“Every culture has its monsters,” and Jason Diamond writes about the Headless Horseman and one of the oldest American horror stories for Electric Literature.
Public radio program Science Friday has quite a lineup on tap this week: "Science and art often seem to develop in separate silos, but many thinkers are inspired by both. Novelist Cormac McCarthy, filmmaker Werner Herzog, and physicist Lawrence Krauss discuss science as inspiration for art and Herzog’s new film on the earliest known cave paintings." (via @maudnewton)
In April's Atlantic, Joseph O'Neill tries to separate Philip Roth from his perpetual themes of family, Newark, and Judaism, and from his many authorial personae. The task proves unmanageable, but the attempt sheds light on the man destined to become Roth's greatest critic: Roth himself.
When Maeve Binchy passed away two years ago, she left behind a novel, A Week in Winter, that appeared to cap off an accomplished 40-year career. It turns out her fans have more posthumous work to look forward to: a new 400-page story collection, Chestnut Street, that comes out on April 24th.
For any Amazon Prime members out there, Amazon has rolled out a selection of streaming movies and TV shows available for free with your Prime membership.
Over at the New Republic Year in Reading alum William Giraldi writes his "Confessions of a Catholic Novelist," and they include ruminations on Graham Greene, Flannery O'Connor, and Walker Percy, as well as on the inevitable impact being raised in the Church has on his own work and the writing of many, many others. Giraldi's essay pairs very well with the work of our own Nick Ripatrazone, who has reviewed Giraldi's Hold the Dark, written about teaching Flannery O'Connor to high school students, and just this week discussed the current state of independent Catholic literature.
"Literature is the record we have of the conversation between those of us now alive on earth and everyone who’s come before and will come after, the cumulative repository of humanity’s knowledge, wonder, curiosity, passion, rage, grief and delight. It’s as useless as a spun-sugar snowflake and as practical as a Swiss Army knife." Dana Stevens and Adam Kirsch discuss whether literature should be considered useful.