It’s a source of hair-pulling anxiety for artists of all kinds: how can you hold down a day job yet commit yourself to your art? It’s undoubtedly possible, but it’s daunting enough that apprentice writers often need advice on how to do it. Herewith, six artists (including writers Catherine Lacey and Shane Jones) explain how they pull it off. Related: Cathy Day on making a living as a writer.
We are longtime fans (and participants) of The Morning News‘s Tournament of Books, and so were thrilled to learn they’re starting up a summer book club with a ToB twist. Join them in reading Katie Kitamura‘s A Separation and The Night Ocean by Paul La Farge, starting in just a week and a half.
Whatever your thoughts about the situation in Ukraine, you’ll feel for Year in Reading alum David Bezmozgis, who’s been writing a novel for the past four years that takes place in Crimea. After nearly a half-decade in which few people he talked to even knew where Crimea was, recent events shone a spotlight on the place, which the author had thought of as “locked in a dismal kleptocratic stasis.” (You could also read our interview with the author.)
Are books on the way to becoming luxury objects? At Salon, Daniel D’Addario makes a case that they are, explaining how a new aestheticism in book design points to a future in which books function mainly as art objects. (While we’re on the subject of book design, it’s a good time to look back on our U.S.-U.K. book cover battle.)
Our regular contributor Sonya Chung is interviewed in the latest issue of Bookslut, discussing her new book Long for This World. “I write novels because it’s a place where I can bring all of who I am, and what I know, and what I don’t know but want to know, into a coherent, created world.”
For those of you who won’t rest until you find out the truth about how Chris McCandless died, know that neither will Jon Krakauer. His recent discoveries appear in the afterword to a new edition of Into the Wild, released in 2015. Also check out this Millions essay on extreme survival books.
Elif Batuman’s provocative essay “Get a Real Degree” is up at the London Review of Books: “Despite the recent trend in viewing fiction as a form of empathy training, I’m pretty sure that writing short stories isn’t the most efficient way to combat injustice or oppression.”