It’s a source of hair-pulling anxiety for artists of all kinds: how can you hold down a day job yet commit yourself to your art? It’s undoubtedly possible, but it’s daunting enough that apprentice writers often need advice on how to do it. Herewith, six artists (including writers Catherine Lacey and Shane Jones) explain how they pull it off. Related: Cathy Day on making a living as a writer.
New this week: Awl co-founder Choire Sicha’s debut Very Recent History; Elizabeth Cohen’s new story collection The Hypothetical Girl; Elect H. Mouse State Judge by Nelly Reifler; The Virgins by Pamela Erens (which Erens herself wrote about for us on Friday); The Rathbones by Janice Clark; and Necessary Errors by Caleb Crain. For more on these and other upcoming titles, check out our Great 2013 Second-half Book Preview.
Hugo Lindgren, editor of The New York Times Magazine, participated in a pretty nifty Reddit Ask Me Anything installment. When one commenter asked him how long it takes to prepare each week’s Meh List, Lindgren wrote, “The Meh list never stops. The actual compilation of it is lickety split but the hunt for Meh is eternal.” He also admitted that two of his favorite magazine stories are Mark Jacobson’s “Night-Shifting for the Hip Fleet” and John Hersey’s “Hiroshima” [Reg. Req.].
“When I was younger, I finished everything. I was a total martyr. Now … I’m getting older. We have a finite amount of time on this earth. If something really doesn’t speak to you, and there’s not a ride-or-die reason to read it all the way through, then it’s time to give up.” Ten questions for Lisa Lucas, the new(ish) director of the National Book Foundation.
Phillip Pullman, author of the much-beloved His Dark Materials series, has resigned as a patron of the Oxford Literary Festival due to the festival’s practice of not paying its guest authors. This move comes only one week after Pullman and the Society of Authors released an open letter to The Publisher’s Association and the Independent Publisher’s Guild, demanding authors receive fair compensation for their work.