This week in book-related internet graphics: “A Map of the Best Book for Every State,” complete with the promise that “every last one will let you understand a time and place in a more profound way than you maybe thought possible.”
Let’s play a game: a “lazy Sunday” version of a Choose Your Own Adventure novel. Ready? Good. Imagine you’re hanging out with Junot Díaz today. What do you want to do? Select Option A to go barhopping. Select Option B to go comic book shopping. Select Option C to read an excerpt from his new book, This Is How You Lose Her. Or Select Option D to read Leah Hager Cohen's review of the collection. There is no wrong answer.
Back in April, Dreamworks announced its plans to adapt Eleanor and Park by Rainbow Rowell for the silver screen, with the author writing the script. A few months later, Rowell published a new book, Landline, that marked a return to adult fiction. At The Rumpus, Amanda Green sits down with the author to talk about YA, her productivity and the importance (or not) of getting up early to write. FYI, our own Janet Potter reviewed Eleanor and Park and Fangirl.
The 2010 National Book Awards were announced this evening. In fiction, Jaimy Gordon won for The Lord of Misrule; in nonfiction, Patti Smith won for Just Kids; in poetry, Terrance Hayes won for Lighthead; and for young people's literature, Kathryn Erskine won for Mockingbird.
Man Booker Prize-winner Marlon James is finished talking about diversity, and here's part of his logic: "A panel on diversity is like a panel on world peace. It should be seeking a time when we no longer need such panels. It should be a panel actively working towards its own irrelevance. The fact that we’re still having them not only means that we continue to fail, but the false sense of accomplishment in simply having one is deceiving us into thinking that something was tried."
Peter Hedges, author of the novel and screenplay for What's Eating Gilbert Grape?, as well as Dan in Real Life, and Pieces of April, is set to adapt and direct his latest novel, The Heights. Set in Brooklyn Heights amid its wealthy, over-zealous, stay-at-home mommy set, the novel follows a happy, slightly down-at-the-heel couple as their marriage is tested by the arrival of another woman. (All of the wit of Tom Perrotta's Little Children, but not quite so dark and cynical.)