50 years and 1 day ago Jean-Paul Sartre turned down the Nobel Prize in Literature. Yesterday Steve Neumann wrote for The Airship about what writers can learn from Sartre’s refusal.
In Case You Missed It: This email exchange between playwright Sarah Ruhl and the late Max Ritvo, whose Four Reincarnations is out next week: “I think my mind is a set of lapis lazuli steps falling apart, and all I want is to be told ‘it’s alright, we rebuild it every day’ But what is the it? What is it? And if I was vaporized by a ray gun but was then replaced instantly by an identical person with an identical filigree of nerves shot through with identical sparks cased in an identical skull—would it still be me? I don’t think so. I don’t know if even a perfect Reincarnation would be a Reincarnation to me, in my heart. I’m starting to feel like Theseus and I just want my fucking ship out of the dry-dock and back on the water.”
Catch it while you can: Charlie Rose‘s hour-long interview with Pedro Almodóvar and his muse, Penélope Cruz, touches on character, confidence, and control, and is currently available online. Almodóvar’s latest film, Broken Embraces, which I saw last summer in Madrid sans subtitles, was so visually stunning and well-acted that despite my meager translation the film enthralled. With a proper translation, it should be ravishing.
Joshua Cohen’s new novel has gotten a lot of attention for its odd relationship with Internet culture. In The New Republic, he talks with Gideon Lewis-Kraus in a Gchat, explaining his view that “it’s time writing took something back from the Internet.” Pair with Cohen’s Millions interview from 2012.